THE LINCOLNS OF SPRINGFIELD

Garrett Deagon’s chameleon-like transformation into our nation’s 16th President opposite Samantha Craton’s luminous Mary Todd Lincoln elevates Terrence L. Cranert’s The Lincolns Of Springfield into something more than the overly romanticized by-the-numbers Abraham Lincoln bio-musical it would be without their presence on the Colony Theatre stage.
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CHESS THE MUSICAL


Jaxx Theatricals treats audiences to a fully-staged production of Benny Andersson and Bjorn Ulvaeus’s rarely revived Chess The Musical, sensationally performed in the company’s spiffy East Hollywood digs.
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CABARET


Life isn’t just a cabaret, old chum, it’s a downright dazzling circus in The Nocturne Theatre Company’s stunningly reimagined in-the-round revival of the Kander and Ebb masterpiece Cabaret.
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LEGALLY BLONDE


An audience jam-packed with friends and family greeted the opening night performance of Conundrum Theatre Company’s Legally Blonde with the kind of cheers usually reserved for a Taylor Swift concert, and if the production playing this weekend only at NoHo’s El Portal would not under normal circumstances generate that rhapsodic a reception, an energetic young cast headed by a captivating Paloma Malfavón make it a definite crowd-pleaser.
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MRS. DOUBTFIRE


America’s favorite nanny is back in business as triple-threat dynamo Rob McClure lights up the Pantages in his Tony-nominated performance in Mrs. Doubtfire, one of the most crowd-pleasing, feel-good, and family-friendly Broadway musicals in years.
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JELLY’S LAST JAM


A year after its record-breaking Sondheim Celebration, Pasadena Playhouse gives Jelly Roll’s Jam as spectacularly staged and phenomenally performed a 33rd-anniversary revival as any lover of rarely produced musicals could wish for.
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DISNEY THE LITTLE MERMAID


Get ready to stand up and cheer director Glenn Casale’s ingeniously reconceived, spectacularly staged revival of Disney The Little Mermaid at La Mirada Theatre for the Performing Arts, the absolute best of the now eight productions I’ve seen of this most enchanting of musicals.
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THE LAST FIVE YEARS


Jayde Mitchell and Jackie Bonsignore and Bryan Mittelstadt and Margaret Berkowitz deliver four breakout star turns in the eighteenth production I’ve seen of Jason Robert Brown’s mesmerizing romantic musical two-hander The Last Five Years, Sierra Madre Playhouse’s first traditional stage production since its reimagining as a performing arts center and one I made it a point to see with two equally fabulous casts.
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