MAMMA MIA!

Fresh new direction/choreography and a look infinitely superior to the Broadway/Tour design that audiences have been seeing since Mamma Mia! first opened back in 2001 are several big reasons to welcome the international megasmash’s arrival at 3-D Theatricals’ stunning new home, the Cerritos Center For The Performing Arts.
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MERRILY WE ROLL ALONG

Ingenious staging and a talented young cast make Stephen Sondheim and George Furth’s Merrily We Roll Along, a guest production at the Colony Theater, the summer’s brightest musical comedy surprise.
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DREAMGIRLS

With its dazzling costumes, pizzazzy lighting, and above all its sensational talent both on stage and off, Cupcake Theater’s Dreamgirls more than holds its own against its multimillion-dollar predecessors.
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DISNEY THE LITTLE MERMAID

An all-around splendid cast, inspired direction, delightful choreography, and an absolutely gorgeous production design combine to make Disney The Little Mermaid one of Candlelight Pavilion’s best productions ever.
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SCHOOL OF ROCK

Rob Colletti doing his best Jack Black opposite a dozen of the most multi-talented tweens ever to burn up a stage add up to the fun-for-all-ages Broadway musical delight that is Andrew Lloyd Webber and Julian Fellowes’ School Of Rock, now playing at Orange County’s Segerstrom Center For The Arts.
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NEWSIES

A sensational Dillon Klena and a terrifically talented young cast of singing-dancing newsboys make Moonlight Stage Productions’ Newsies an infectiously entertaining (and unashamedly pro-labor) treat.
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DISNEY BEAUTY AND THE BEAST

A luminous Susan Egan’s return to the role that made her a Broadway star is just one reason not to miss 5-Star Theatricals’ five-star revival of Disney Beauty And The Beast, though it is easily Egan’s incandescent star turn that gives the production’s two-weekend run at Thousand Oaks Civic Arts Plaza event status.
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MARY POPPINS

In-the-round staging proves a perfect fit for Mary Poppins at Glendale Centre Theater, placing the emphasis firmly on P.L. Travers’ storytelling, the Sherman Brothers’ hum-along songs, a bunch of infectious dance numbers, and leading lady Deborah Robin, quite possibly the best of the seven Marys I’ve seen on stage.
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