NO, NO, NANETTE

Roaring Twenties Broadway lives again in Candlelight Pavilion’s bubbly revival of the musical comedy chestnut No, No, Nanette, a nostalgic change of pace from the season-opening stunner that was Titanic, a sweet bit of fluff before the upcoming dramatic fireworks of 2016’s Bright Star, and a tuneful reminder that where songs are concerned, they don’t write’em like they used to.
(read more)

ALADDIN

A tale as old as A Thousand And One Arabian Nights, not only is Disney’s Aladdin an entertainment bonanza for audiences of all ages, it just might be the most gorgeous-too-look-at production ever to light up the Segerstrom Center For The Arts stage.
(read more)

NEWSIES

Newsies makes its entertaining community theater debut at Simi Valley Cultural Arts Center as Actors’ Repertory Theatre Of Simi premieres its enthusiastically performed, proudly pro-labor 2019 season opener.
(read more)

LIFE COULD BE A DREAM

Doo Wop harmonies reign supreme out Long Beach way as International Theatre takes audiences on a tuneful trip down memory lane in Life Could Be A Dream, two delightful hours of late-1950s/early ‘60s nostalgia from Roger Bean.
(read more)

LIZZIE

You’ve seen the movies and read the biographies (or at the very least, you’ve heard the rhyme). Now, wielding her axe to a punk rock beat, LIZZIE ignites the Chance Theater stage like it’s never been ignited before.
(read more)

A GENTLEMAN’S GUIDE TO LOVE AND MURDER

A Gentleman’s Guide To Love And Murder, the homicidally hilarious quadruple-Tony-winning Best Musical of 2014, now fills the Cerritos Center For The Performing Arts with murderous mirth as the latest Broadway-caliber regional premiere from 3-D Theatricals.
(read more)

LIGHTS OUT: NAT “KING” COLE

The impending live broadcast of the 42nd and final episode of network TV’s first black-hosted variety show becomes an existential nightmare for its celebrated star in Colman Domingo and Patricia McGregor’s Lights Out: Nat “King” Cole, a Geffen Playhouse West Coast premiere not without its problems but one well worth catching, and not just for the drama-song-and-dance showcase it provides its triple-threat star Dulé Hill.
(read more)

WITNESS UGANDA

A gay black NYU student heads off to Africa to help build a school only to come back transformed for life in Witness Uganda, Matt Gould and Griffin Matthews’ off-Broadway “Documentary Musical” thrillingly performed and excitingly restaged for L.A. audiences at Beverly Hills’ Wallis Annenberg Center For The Performing Arts.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »