LEGALLY BLONDE

Ragged around the edges but blessed with some terrific lead performances, Cupcake Theatre’s intimate revival of Broadway’s Legally Blonde would have me singing its praises even louder had the show not started thirty minutes late to accommodate walk-ins.
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A CHORUS LINE


The annual USC spring musical is back after a three-year hiatus with director Tim Dang and choreographer Cedric Dodd’s strikingly fresh take on A Chorus Line, a talent showcase for a couple dozen Trojan triple-threats on their way to the top.
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NEXT TO NORMAL


A gifted young director has reinvented Broadway’s Next To Normal for USC’s Musical Theatre Repertory in an all-student production blessed by a uniformly superb cast, seamlessly integrated choreography, and an electrifying lighting design.
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A LITTLE NIGHT MUSIC


A splendid cast, innovative direction, the most gorgeous costumes in town, and Stephen Sondheim at his most sublime are just several of the reasons to celebrate Knot Free Productions’ intimate staging of the rarely revived A Little Night Music at Greenway Court Theatre.
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ASSASSINS


Presidential killers and would-be killers take center stage at East West Players in Assassins, Stephen Sondheim at his most provocative, innovative, and engrossing.
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NEXT TO NORMAL


Chance Theater treasure Jocelyn A. Brown delivers one of the year’s most stunning performances as a woman battling bipolar disorder in Next To Normal, earning much-deserved tears and cheers in the Chance’s 2022 season opener.
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STRIKING 12


Rock, folk, jazz and pop get fused to exhilarating effect in Striking 12, the most uniquely original Chance Theater holiday musical to date.
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THE BAND’S VISIT


Rarely have I found myself more thoroughly smitten with a new musical that I am with The Band’s Visit, now enfolding audiences in its warm, welcoming embrace at Hollywood’s Dolby Theatre.
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