THE KING AND I
Sunday, October 19th, 2008
What would CLOs do without Rodgers and Hammerstein? There’s scarcely a season in which a regional Civic Light Opera doesn’t present at least one of their Big 5—Oklahoma!, Carousel, South Pacific, The King And I, or The Sound Of Music. Fortunately for lovers of contemporary musicals, these Golden Oldies do hold up rather well, thank you. Theatergoers are assured of recognizing most if not all of the songs, the roles created by R & H offer actors some of the best in musical theater of any era, and the themes which R & H snuck in (racism, domestic violence, cross-cultural understanding, etc.) remain valid even half a century or more later.
(read more)
BLOOD BROTHERS
Saturday, October 18th, 2008RECOMMENDED
The arrival of Willy Russell’s Blood Brothers in Los Angeles is big news indeed. Though the musical ran 840 performances on Broadway in the mid-1990s, and has been playing continuously on London’s West End for over two decades, it’s been years since there’s been a fully staged L.A. production offering local audiences the chance to see what has made Blood Brothers such a British (and international) phenomenon.
(read more)
THE ALL NIGHT STRUT
Friday, October 17th, 2008
Long Beach is indeed a-jumpin’ with International City Theatre’s absolutely terrific revival of The All Night Strut. Music, song, and dance from the big band and swing era combine under the sensational direction of Lance Roberts (who also choreographed the many fabulous dance sequences), with a smashing quartet of triple-threat performers singing such standards as “Ain’t Misbehavin’,” “As Time Goes By,” and “It Don’t Mean A Thing (If It Ain’t Got That Swing.”
(read more)
BAT BOY THE MUSICAL
Thursday, October 9th, 2008NOT RECOMMENDED
In the eleven years since Bat Boy: The Musical began its life here in L.A. at the Actors’ Gang Theatre, it has gone on to be produced Off-Broadway, in London’s West End, at the Edinburgh Festival and in dozens of regional and international productions. The original L.A. production received four Ovation Awards, and Off-Broadway it won both the Lucille Lortel Award and the Outer Critics Circle Award as Best Musical. The revised London script is now getting its first local staging in a production which I wish I could say is worthy of the material.
(read more)
EARTH SUCKS
Sunday, October 5th, 2008NOT RECOMMENDED
–How do you explain gravity?
–Earth sucks.
(read more)
SOUTH PACIFIC
Friday, October 3rd, 2008RECOMMENDED
It’s been nearly 50 years since the last of Rodgers and Hammerstein’s musicals debuted on Broadway, yet the team’s work remains as popular as ever. Carousel (1945) and The Sound Of Music (1959) continue to be CLO staples, as does The King And I (on Broadway in 1951, 1960, 1977, 1985, and 1996, and soon to open in Thousand Oaks). Last season Downey Civic Light Opera revived the team’s first joint effort, Oklahoma (1943), in an absolutely terrific production (and two more local CLO’s have Oklahoma scheduled over the coming year). And the current Broadway revival of R&H’s 1949 smash South Pacific recently won seven Tonys.
(read more)
HELLO, AGAIN
Thursday, October 2nd, 2008
Arthur Schnitzler’s 1897 classic La Ronde becomes a seductive chamber musical in Michael John LaChiusa’s Hello, Again, currently being staged by USC’s Musical Theatre Repertory in an all around sensational production which proves that student produced-directed-acted-designed work can give any professional production a run for its money.
(read more)
JOE’S GARAGE
Saturday, September 27th, 2008RECOMMENDED
Like The Who’s Tommy, Frank Zappa’s 1979 rock opera Joe’s Garage began its life on vinyl. Both rock operas take their titular heroes on a life journey. But while Tommy moved rather quickly from concept album to movie to staged production in London’s West End, it is only now that Joe’s Garage, the cult LP, is getting its first stage adaptation by L.A.’s Open Fist Theatre Company.
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2026 STEVEN STANLEY :: DESIGN BY