ANNIE
Wednesday, November 30th, 2022
Even the grimmest of economic times can inspire the most cheerful, delightful, and tuneful of musical comedy treats. Case in point, the Broadway musical smash Annie, now spreading Christmastime tidings of hope and joy at Hollywood’s Dolby Theatre.
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RENT
Monday, October 31st, 2022
Jonathan Larson’s Rent surrounds the audience quite literally in Coeurage Ensemble’s stunningly groundbreaking, entirely sold-out reinvention of the much-revived 1996 Broadway classic.
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INTO THE WOODS
Saturday, October 29th, 2022
Master director Ken Sawyer and some tremendously talented USC student performers and designers join creative forces to give audiences a highly inventive new take on the 20th-century musical theater masterpiece Into The Woods.
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ONCE ON THIS ISLAND
Friday, October 21st, 2022USC’s all-student Musical Theatre Repertory opens its 2022-2023 season to engaging effect with Once On This Island, Lynn Ahrens’ and Stephen Flaherty’s magical musical tale of star-crossed island lovers.
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DAMN YANKEES
Tuesday, October 18th, 2022
Lesli Margherita’s Tony Award-caliber triple-threat star turn as Lola tops the list of reasons to celebrate Musical Theatre West’s 2022 revival of the 1955 Golden Era musical classic Damn Yankees.
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CARRIE: THE MUSICAL
Saturday, October 8th, 2022
Director extraordinaire Kari Hayter strips Carrie: The Musical down to basics to better reveal the heart and soul of the Broadway adaptation of the Brian De Palma horror classic, and the results, performed by an all-student cast at USC’s McClintock Theatre, are nothing short of spectacular, even minus the spectacle that’s been a hallmark of previous productions.
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ANDREW LIPPA’S WILD PARTY
Sunday, September 25th, 2022
Santa Monica’s Morgan-Wixson Theatre once again gives professional houses a run for their much bigger bucks with a fabulously staged and performed Andrew Lippa’s Wild Party.
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OKLAHOMA!
Friday, September 16th, 2022
Forget every Oklahoma! you’ve ever seen. Forget everything you’ve ever heard or said or thought about the 79-year-old classic. Director Daniel Fish’s radically revisionist revival of the Broadway musical that reinvented the genre back in 1943 now feels every bit as revolutionary in 2022 as Rent did in 1994, Spring Awakening in 2006, and Hamilton just a handful of years back.
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