RODGERS AND HAMMERSTEIN’S CINDERELLA


Following its couldn’t-be-better production of Little Shop Of Horrors, Cabrillo Music Theatre now stages a show for children and parents alike in Rodgers And Hammerstein’s Cinderella.  Kids will love seeing one of their favorite fairy tales brought to musical comedy life, and those above the age of ten will relish R&H’s music and lyrics, the cast’s all-around terrific performances, and seeing 1970s TV icons Marcia Wallace as Cinderella’s stepmother and Sally Struthers as her fairy Godmother. Though Rodgers And Hammerstein’s Cinderella may lack the sophistication and unified tone of Disney’s Beauty And The Beast, a great cast and Lewis Wilkenfeld’s savvy direction make for an enjoyable two hours of family entertainment.
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40 IS THE NEW 15


What a difference a few tweaks can make!

40 Is The New 15, Larry Todd Johnson and Cindy O’Connor’s musical about five former high school classmates turning 40 and reflecting on the ways their lives have changed over the past quarter century, has made a triumphant return to North Hollywood a year after its workshop run. What was already an entertaining, moving, and very promising evening of musical theater has come back the polished gem that only years of rewrites and workshops can achieve.
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[title of show]


West Hollywood’s Celebration Theatre celebrates its twenty-eighth year of presenting quality live theater to the LGBTQQIA community—and has its third big musical hit in just the past twelve months—with the Los Angeles Premiere of Hunter Bell and Jeff Bowen’s award-winning off-Broadway hit [title of show]. Directed with consummate panache by Celebration Artistic Director Michael A. Shepperd, [title of show] is the perfect musical for show queens of any gender or sexual orientation.
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LIFE COULD BE A DREAM


When Roger Bean’s Life Could Be A Dream opened at Los Angeles’s 99-seat Hudson Theatre last summer, I wrote, “Don’t be surprised if the show is still running a year from now. Rave reviews and enthusiastic word-of-mouth should guarantee full houses and standing ovations for months to come.” 
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[title of show]


In the spring of 2004, New York City writing partners Hunter Bell and Jeff Bowen sat down to create a new musical in just three weeks, that being precisely the period of time remaining before the New York Musical Theatre Festival’s submission deadline. Joined by friends (and fellow performers) Susan Blackwell and Heidi Blickenstaff, the quartet met the deadline with a 90-minute musical about itself, from its first spark of inspiration to its opening night on Broadway.  As for the show’s title, having rejected such candidates as Festival Of Dreams, Your Arms Too Short To Write This Musical, and RENTT (with two t’s), the creative team decided to stick with what was on the application form: [title of show]. And wonder of wonders, their dream became a reality. 
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE


Every musical theater aficionado has his or her own pet shows, ones that can be seen again and again without ever losing their appeal, especially when new performers put their stamps on favorite roles. My own personal favorites include The Last Five Years, The Light In The Piazza, and The 25th Annual Putnam County Spelling Bee, all of which I have reviewed in numerous productions since StageSceneLA’s 2007 premiere.
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HELLO, DOLLY!


When was the last time you saw a production of Hello, Dolly!?
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THE WHO’S TOMMY


The Chance Theater tackles its most ambitious musical yet with The Who’s Tommy. Under Oanh Nguyen’s inspired direction, the resulting production is quite possibly the Chance’s most thrilling musical ever, topping even last year’s Hair for visual and audio excitement.  With state-of-the-art sound, lighting, and video design and a couldn’t-be-better cast, The Chance’s The Who’s Tommy (quite a mouthful) achieves the nearly impossible. It replicates the rock concert/rock theater experience in a 49-seat house.  Spectacle and intimacy in equal measure—I can’t recall another show quite like it.
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