I LOVE YOU, YOU’RE PERFECT, NOW CHANGE

Men are from Mars and women are from Venus and both sexes (and the battles between them) are as entertaining as male-female battles get in The Los Angeles New Court Theatre’s terrifically performed revival of Joe Di Pietro and Jimmy Roberts’ two-decade-old—but eternally relevant—smash off-Broadway musical revue I Love You, You’re Perfect, Now Change.
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COMPANY

It’s been over a decade since Stephen Sondheim and George Furth’s Tony-winning Best Musical of 1970, Company, has had an L.A. (or L.A.-adjacent) big-stage revival, making its arrival at Thousand Oaks’ Cabrillo Music Theater big news indeed, particularly as directed with abundant inspiration and flair by Nick DeGruccio and performed by an all-around fabulous cast, with Cate Caplin’s imaginative choreography giving the show an added dash of pizzazz.
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BUDDY – THE BUDDY HOLLY STORY

February 3, 1959 may well have been, as Don McLean sang it, “the day the music died,” but the music of Buddy Holly lives on at Candlelight Pavilion Dinner Theater in the crowd-pleasing musical/tribute concert hybrid that is Buddy – The Buddy Holly Story.
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PUTTING IT TOGETHER

Putting It Together, aka The Greatest Hits Of Stephen Sondheim Volume Two, has made a splendid arrival at Chromolume Theatre, the 1999 Broadway revival version of the original 1992 UK production updating 1976’s Side by Side by Sondheim with songs from S.S. shows as recent as 1990’s Assassins—news which should come as the best end-of-year gift to Sondheim lovers near and far.
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BRIGHT STAR

Some of the most gorgeous songs I’ve heard in a new musical plus a bevy of equally memorable performances bode well for the post-World Premiere future of Steve Martin and Edie Brickell’s Bright Star despite an “original story” so reminiscent of this or that 1930s/40s Hollywood weeper that audience members may find themselves convinced they’re watching the musical stage adaptation of an oldtime Barbara Stanwyck/Claudette Colbert flick. (Not that there’s anything wrong with that.)
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SONGS FOR A NEW WORLD

RECOMMENDED

Inland Valley Repertory Theatre celebrates the end of summer with Jason Robert Brown’s Songs For A New World, the song cycle that put the future Tony winner’s name on the map, and if not the inspired vision of Brown’s 1995 debut that I’ve seen previously, a number of fine performances (and one in particular) make this a mostly effective, ultimately affecting revival of the very first JRB hit.
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SMOKEY JOE’S CAFÉ

Want to hear “Kansas City,” “Yakety Yak,” “Love Potion No. 9,” “On Broadway” and a few dozen other 1950s rock and pop hits as performed by an all-around splendid young cast and enjoy a yummy dinner to boot? Then head on over to Claremont for dinner and a show as Candlelight Pavilion revives the longest-running musical revue in Broadway history, Smokey Joe’s Café, featuring forty of the greatest hits of rock-and-roll songwriting legends Jerry Leiber and Mike Stoller.
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DAMN YANKEES

Few 1950s musicals have stood the test of time as well as Damn Yankees, proof positive of which can now be seen at Fullerton’s Plummer Auditorium in 3-D Theatricals’ pitch-perfect revival of the 1955 Broadway gem.
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