NAKED BOYS SINGING


It was just over ten years ago that theater-maker extraordinaire Robert Schrock was struck with quite possibly the most brilliant idea of his lifetime.  If nudity, particularly of the male variety, filled theater seats, why not create a show in which every single actor performs naked, and not just brief blink-and-you-miss it full frontal flashes, but for virtually the entirety of the production?  And since the gays love their musical theater more than just about any other genre, why not make this new show a musical revue?  Finally, why not make this a revue about nudity, so that the naked bodies would be integral to the show and not simply gratuitous? 
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PUTTING IT TOGETHER


You won’t find a more tuneful, sophisticated or better performed show around town than South Coast Repertory’s beautifully staged revival of Stephen Sondheim’s Putting It Together.
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CLOSER THAN EVER


Ten talented Asian-American performers sing about “life, love, and all the doors in between” in Lodestone Theatre Ensemble’s next-to-very-last production, an ingeniously-staged, brightly-performed revival of Richard Maltby, Jr. and David Shire’s musical revue Closer Than Ever.
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THE BEST IS YET TO COME: THE MUSIC OF CY COLEMAN


City Of Angels, Sweet Charity, Little Me, Seesaw, On The Twentieth Century, I Love My Wife, The Will Rogers Follies, Barnam. 

“Big Spender,” “It’s Not Where You Start,” “There’s Gotta Be Something Better” “Hey, Look Me Over,” Witchcraft,” “The Best Is Yet To Come.”

What do these Broadway shows and hit songs have in common? The answer in two words is Cy Coleman, composer, songwriter, and jazz pianist extraordinaire.
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MY WAY: A MUSICAL TRIBUTE TO FRANK SINATRA


“Frank Sinatra recorded 1500 songs, and tonight we’re going to sing every single one of them,” jokes Jason Watson at the beginning of My Way: A Musical Tribute To Frank Sinatra.  Though a complete retrospective of Ol’ Blue Eyes’ discography would doubtless take (in Watson’s words) “the next eight days,” My Way does a terrific job of showcasing Sinatra’s best-known hits (and a few of his rather more obscure songs as well), making it one of the most entertaining “jukebox” musical revues ever.
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FORBIDDEN BROADWAY


For the past 27 years, New York City audiences have been treated to Forbidden Broadway, a series of ten or so revues spoofing The Great White Way’s latest hits (and flops). Since 1982, a revolving quartet of supertalented performers backed by a piano—and the master-satirizer that is writer/creator Gerard Alessandrini—have lampooned Broadway legends like Carol Channing and Liza Minnelli, current hit shows a la Jersey Boys and Mary Poppins, and musical theater classics such as Man Of La Mancha and Gypsy. Coming up with a new revue every two or three years, Alessandrini and company have created their own special franchise—which now gets its first original L.A. regional theater staging at Long Beach’s Musical Theatre West. Dubbed Forbidden Broadway Greatest Hits, Volume One, the resulting concoction makes for one of the funniest CLO shows you’re likely to see this year.
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SMOKEY JOE’S CAFÉ


Fans of 1950s rock and pop will be in Top 40 heaven with the El Portal Theatre’s revival of the 1995 Broadway smash Smokey Joe’s Café, featuring three dozen of the greatest hits of rock-and-roll songwriting legends Jerry Leiber and Mike Stoller.
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A RUBICON FAMILY CHRISTMAS


When I was a kid, my Decembers were brightened and my holiday spirit heightened by much-anticipated yearly TV Christmas specials, hosted by Andy Williams, Perry Como, and Dinah Shore, sponsored by Kraft Foods, and “brought to you in living color on NBC.”  The Rubicon Theatre brings back those days with its lovingly conceived and terrifically performed A Rubicon Family Christmas.  Though L.A. stages are currently filled to the brim with A Christmas Carols and holiday themed comedies, the Rubicon is the place to go for music of the season, especially as performed by six of the finest musical theater talents the Southland has to offer.
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