STOP KISS

RECOMMENDED
The recent rash of gay bashings throughout the U.S. makes Rogue Machine’s Los Angeles premiere of Diana Son’s GLAAD Award-winning Stop Kiss timely indeed. Though its movie screenplay-like structure presents staging challenges not always overcome by directors Elina de Santos and Matthew Elkins, a provocative storyline and excellent performances make the production a largely engrossing experience.
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BEGGARS IN THE HOUSE OF PLENTY


What a difference a director and cast can make!  

When I saw a production of John Patrick Shanley’s Beggars In The House Of Plenty about four years ago, I found myself squirming in my seat waiting for it to end. I couldn’t make head nor tail of what was going on as the play got more and more bizarre and heavy-handed. My guest and I looked at each other when the lights went back up and said almost simultaneously, “Now what was that about?” Arriving home, I did some googling and saw that at least one reviewer had raved about the production, leading me to wonder what she had seen in it that my friend and I had not.
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STRANGER


The rock-based notes of an Ennio Morricone-like melody inform us that, once again, it’s once upon a time in the West.  The year is 1847 and the tiny Nevada town of San Lorenzo has been enslaved by a ruthless villain known only as Lagarto. Showdown time has arrived, and the town sheriff orders his teenage daughter Lucinda to get inside.  “You do it for Mama,” Lucy cries out. “You kill him for her!”  The sheriff looks the evil Lagarto in the eye and informs him, “This is your last chance.  Take your men and be on your way.”  “You look like a simple man,” responds Lagarto, “so I’ll keep it simple. No.” And with that, he shoots the sheriff, then his deputy.  Pulling out an enormous knife, he grabs Lucy and tells her, “I like you. I think I’m going to keep you.” Lagarto then proceeds to slit the sheriff’s throat with the knife until his blood is splattered everywhere.
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SCHOOLHOUSE ROCK LIVE TOO


For the many who saw and loved Schoolhouse Rock Live! when it played the Greenway Court Theatre a year and a half ago, there’s some great news. Schoolhouse Rock Live! Too has arrived, with 20 more classic Schoolhouse Rock songs/lessons performed live by a stellar cast of triple threat talents and a rocking live band.
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APARTMENT 6 & 9

RECOMMENDED
Apartment 6 & 9 is a pair of one-act comedies (All Aboard The Marriage Hearse and Stay Over) which showcase Matt Morillo’s talents as a writer/director, his gift for intelligent dialog, and his insights into the many ways that “Men are from Mars, Women are from Venus.” 
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COME BACK LITTLE HORNY


Meet the Maloneys, your average upper-middle class Palo Alto family: 
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ONCE UPON A MATTRESS


Once Upon A Mattress is a popular choice for high school musicals and community theaters, but I can’t recall a professional production here in L.A., so the Lyric’s totally entertaining revival of this 1959 Broadway gem comes as particularly welcome news, especially in these gloomy economic times.
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MARRY ME A LITTLE/THE LAST FIVE YEARS


My favorite East West Players shows are their productions of well-known plays and musicals which offer Asian-American actors the opportunity to tackle roles for which they might not normally be considered. Whether dramatic fare, like Proof or Equus, or musicals like Little Shop Of Horrors or pretty much all of the Sondheim oeuvre, or a play with music like Master Class, these are the productions which have left the strongest, best impressions on me.
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