WIREHEAD

RECOMMENDED
Anyone thirty-five or older can remember a time in their teenage or adult lives when they functioned quite well without the Internet or a cell phone.  Those days are long gone, prompting most of us of a certain age to wonder how we ever did without.  Our lives have become so technology-dependent that that if a person’s cell phone doesn’t have Internet access (heaven forbid!), he or she is seriously behind the times.  (I need to get with it on this!)
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CAVE QUEST

RECOMMENDED
Did you ever see that Coca Cola commercial from 1970s, the one that had a couple thousand peace-seeking grownups and kids warbling “I’d like to teach the world to sing in perfect harmony”? Well, that’s basically Justin Yi’s motivation in climbing to the top of the Himalayas in Les Thomas’ new play Cave Quest.  To be more specific, the young Asian American wants to teach the world to “find inner peace” by means of a $49.99 video game. The key to Justin’s achieving this goal is a “legendary” Buddhist nun named Padma—who just happens to have started out a small-town Fresno girl named Ruby Riyono.
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SEASCAPE WITH SHARKS AND DANCER


A young man pulls a young woman out of the ocean and brings her back to his rundown Provincetown beach house. He says she was drowning; she says she was dancing. From the get-go, romantic sparks seem to be flying between them.  Their repartee recalls those screwball comedies of the 1930s, but the year is 1975 and there are hints that the young woman’s playfully argumentative nature hides a darker side. There’s also the engagement ring she finds hidden in a desk drawer that suggests that the young man too may carry emotional baggage. 
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URINETOWN


USC’s Musical Theatre Repertory proves once again (in the immortal words of The Who) that “the kids are alright” with their latest production, the 2001 Broadway hit musical Urinetown.  
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ORPHEUS DESCENDING


Frantic Redhead Productions’ presentation of Tennessee Williams’ Orpheus Descending is a prime example of Los Angeles theater at its finest.  A big-name trio of leading players with serious theatrical credits and training, a gifted director with an inspired concept, and one of the finest design teams in town have combined forces to make one of Williams’ lesser known dramas not only a surefire hit but the first major artistic success of 2010 as well.
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD

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After staging ten Shakespeare productions over the past three years, The Porters Of Hellsgate are for the first time paying royalties.  Not that they really had to leave the public domain, there still being a few dozen more Shakespeare plays left for the talented young troupe of Bard-o-philes to produce and perform.  On the other hand, having chosen Hamlet as production number ten, their decision to run Shakespeare’s Greatest Play in rotating rep with Tom Stoppard’s Rosencrantz And Guildenstern Are Dead (with the same casts no less) was an inspired one.
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HAMLET


Just a little over three years ago, a trio of young PaliHi grads with a love of the Bard debuted a new theater company, The Porters Of Hellsgate, with a mission to make Shakespeare come alive for their generation. Their tenth production, Hamlet, once again proves them a force to be reckoned with in Los Angeles classical theater.
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THE GLASS MENDACITY


It’s a summer weekend in the Deep South, and the DuBois offspring have returned to Belle Reve, the plantation home of their dysfunctional childhood, to welcome back patriarch Big Daddy DuBois from his stay at the local hospital. There’s eldest daughter (and family loony) Blanche, married to the uncouth but undeniably sexy Stanley Kowalski.  Middle child Brick, a cipher of a man if there ever was one, is wedded to the sultry Maggie, appropriately nicknamed “The Cat.”  Youngest child Laura suffers from a bad limp (and bad hair.)  Along with family matriarch Big Amanda DuBois and narrator/gentleman caller Mitch O’Connor, the DuBois children have assembled to await Big Daddy’s doctor’s verdict. Does the master of Belle Reve have cancer, or is it merely a spastic colon?
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