HELLO, AGAIN


Arthur Schnitzler’s 1897 classic La Ronde becomes a seductive chamber musical in Michael John LaChiusa’s Hello, Again, currently being staged by USC’s Musical Theatre Repertory in an all around sensational production which proves that student produced-directed-acted-designed work can give any professional production a run for its money.
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KISS OF THE SPIDER WOMAN


What 1993 Broadway hit ran for over 900 performances and won 7 Tonys including Best Musical, Best Book, and Best Score (inspiring not one but two different Broadway Cast Recordings), yet is only now getting its first major Los Angeles production since its 1996 National Tour played the Ahmanson?
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LOUIS AND KEELY LIVE AT THE SAHARA


By the time Louis Prima met 16-year-old Keely Smith in the late 1940s, the 37-year-old Italian-American entertainer’s career had already undergone several transformations. In his teens and 20s, Prima had played trumpet in jazz combos and bands. In 1940, he formed his own Big Band, singing most of the vocals himself. By the time the 1950s rolled around, the Glenn Miller/Benny Goodman sound was passé, and “Louis Prima and Keely Smith” began their successful Las Vegas career, performing multiple shows from midnight until dawn.  
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SEA CHANGE


The year is 1974 and a quintet of Tufts University friends have gone whale watching off the coast of Provincetown.  Virginal conservative gay guy Val and liberal lesbian Jan are arguing about politics, Val contending to Jan’s absolute horror that “you can’t blame Nixon for Kent State.”  Blond Adonis Sunny is stoned as usual, and arguing with feisty lesbian Elle on whether it’s TLGC (Tufts Lesbian and Gay Community) or TGLC, alphabetical order making more sense to Sunny as a gay male. Completing the fivesome is Sunny’s devout Catholic boyfriend Gene. 
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RED SCARE ON SUNSET

RECOMMENDED
No one spoofs classic Hollywood movie genres better than Charles Busch.  Whether it be the Ross Hunter women’s pictures of the 1950s and 60s (Die! Mommie! Die!) or Frankie and Annette Beach Party flicks (Psycho Beach Party) or WWII spy epics (The Lady In Question), Busch knows his Hollywood backwards and forwards.  The more his audience knows about movie styles and movie stars, the funnier Busch’s plays are, but even those not so familiar with names like 1950s TV staples Kate Smith, Dagmar, and Norman Vincent Peale will find laughs aplenty in Red Scare On Sunset, which lampoons (and pays tribute to) late 40s/early 50s red-baiting propaganda films like Red Menace, I Married A Communist, and My Son John.
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BE LIKE WATER

NOT RECOMMENDED

It’s not easy being 14, especially when you’re different from the other kids.  That’s what Chinese-Japanese-American Tracy (Saya Tomioka) has discovered in her Uptown Chicago neighborhood in the year 1978.  Unlike her popular classmate Tina (Ariel Rivera), an Asian teen Farrah Fawcett clone, Tracy would rather watch Bruce Lee movies than go to Nisei dances. Unlike her unfortunately named classmate Bruce Lee (Shawn Huang), Tracy would rather practice kung fu moves than dance the latest disco steps to “Disco Inferno” or “He’s The Greatest Dancer.”
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SUFFER THE LONG NIGHT


FLU EPIDEMIC STRIKES COMMUNITY THEATER
UNDERSTUDIES REPLACE 19 OUT OF 23 IN CAST
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THE PAVILION


As the strains of The Beatles “Across The Universe” fade, a young man appears on a bare black stage.
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