ONCE UPON A MATTRESS


Once Upon A Mattress is a popular choice for high school musicals and community theaters, but I can’t recall a professional production here in L.A., so the Lyric’s totally entertaining revival of this 1959 Broadway gem comes as particularly welcome news, especially in these gloomy economic times.
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MARRY ME A LITTLE/THE LAST FIVE YEARS


My favorite East West Players shows are their productions of well-known plays and musicals which offer Asian-American actors the opportunity to tackle roles for which they might not normally be considered. Whether dramatic fare, like Proof or Equus, or musicals like Little Shop Of Horrors or pretty much all of the Sondheim oeuvre, or a play with music like Master Class, these are the productions which have left the strongest, best impressions on me.
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PHOTOGRAPH 51


In an ironic twist of fate, Dr. Rosalind Franklin, the woman who should have shared the 1962 Nobel Prize for the discovery of DNA’s double helix structure received no recognition whatsoever from the Nobel Foundation.  True, the Foundation does not award the prize posthumously, and Dr. Franklin had died four years earlier.  No, the real irony is that Rosalind Franklin died without even knowing her part in this world-changing discovery.
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LITTLE WOMEN


There’s scarcely a girl or woman alive who hasn’t at one time read Louisa May Alcott’s Little Women. Add to that the millions who’ve seen at least one of its filmings, whether 1933’s with Katharine Hepburn as Jo, or 1949’s with June Allyson, or 1994’s with Winona Ryder, and you have a built-in audience for Little Women The Musical.  L.A.’s Lyric Theatre scales down the Broadway production to 99-seat theater dimensions (a full orchestra becomes a single piano here), the more intimate setting providing a particularly appropriate fit for Alcott’s family tale.  A quartet of talented recent musical theater grads bring the four March sisters to vibrant life, surrounded by an all-around excellent supporting cast to make for an evening of theater sure to enchant not only Little Women’s legion of fans but just about any musical theater aficionado.
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BRIGADOON


Anyone wondering where to see great musical theater without having to pay a fortune would do well to check out the USC Theater Department’s upcoming schedule.  If the just closed production of Lerner and Lowe’s Brigadoon is any example, USC’s theater kids are some of the best musical theater performers around, and working under famed professionals like director John Rubinstein and choreographer Troy Magino, they are doing sensational work indeed.
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STICK FLY


The wealthy LeVay family are having a weekend get-together at their Martha’s Vineyard home away from (Manhattan) home. Housekeeper’s daughter Cheryl is removing slipcovers just in time for younger son Kent to arrive with fiancée Taylor, who is awestruck at the home’s opulence. “I was going to marry you for love,” Taylor tells her handsome beau with a smile, “but now I’m going to marry you for money.” Next to arrive is older son Flip, a successful plastic surgeon, soon to be joined by Kimber, his latest girlfriend.  Last to show up is patriarch Dr. Joseph LeVay, who greets Taylor with old world manners—a slight bow and a kiss on the hand. Absent from the weekend gathering are Mrs. LeVay and Cheryl’s mother, for reasons that will eventually become clear. Over the next day or two, family secrets will be revealed and no one will prove to be quite the person he or she has seemed on first impression.
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IXNAY

RECOMMENDED
Following his death in a car crash, third-generation Japanese-American Raymond Kobayashi finds himself at heaven’s Reincarnation Station where he is given special permission to begin a new life immediately—on one condition. He must go back as a Japanese-American. Though the word Ixnay is never uttered in Paul Kikuchi’s new comedy-fantasy, a resounding “No way!” is Raymond’s response to this proposition.  He’s had enough of his just-ended life as a sansei and the thought of being Japanese-American a second time is one he wants to put an emphatic “nix” on.
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REVERB

RECOMMENDED
A 20something couple express their love by beating each other black and blue in Reverb, the latest—and darkest—of Leslye Headland’s Seven Deadly Plays, or at least of the three reviewed here.
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