A WIDOW OF NO IMPORTANCE
Friday, September 23rd, 2011
East West Players open their 46th Anniversary Season with the World Premiere of Shane Sakhrani’s infectiously funny and utterly charming A Widow Of No Importance, a generation gap comedy set in Mumbai, India that theatergoers from any ethnic background are likely to embrace as warmly as its core South Asian audience.
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LIFE ON THIS COUCH
Friday, August 26th, 2011
ec•cen•tric ([ik-sen-trik, ek-)—adjective: (of a person or behavior) Unconventional and slightly strange, as in “No one writes eccentric characters quite like Laura Richardson.”
For proof of the above, head on over to Open Fist Theatre where Richardson’s latest, Life On This Couch, is delighting audiences with the playwright’s unique, quirky, and thoroughly entertaining take on life. Like the eccentrics in Richardson’s Do Do Love and Come Back Little Horny, the people who live on and around Cece Taylor’s sofa are folks you might not want to live with 24/7, but it sure is fun to spend a couple hours observing the habits, mating and otherwise, of this wild and crazy bunch.
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PASSING PROPER/PASSION AND PRECISION
Sunday, August 7th, 2011
A would-be screenwriter attempts to navigate the shark-ridden Hollywood waters in Passion And Precision, the second of a matched set of one-acts by Joe Davis Massingill. That the first of the two, Passing Proper, just happens to be a staged version of the very screenplay the writer is hoping to sell is just one of several reasons to check out the two plays running on a single bill at Theatre 68.
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WATSON
Friday, July 29th, 2011
You don’t have to be a Sherlock Holmes fan to deem Jaime Robledo’s Watson theatrical magic, as its return engagement at Sacred Fools Theater Company makes abundantly clear. No wonder Watson (aka The Last Great Tale Of The Legendary Sherlock Holmes) won a pair of coveted LA Weekly Awards—for Robledo’s direction and Henry Dittman’s bravura comedic work—in its initial run last fall. Robledo’s comedy thrills and astonishes again and again, making its midsummer encore the best possible news for Los Angeles theatergoers in the mood to be dazzled.
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BLACKBIRD
Monday, July 25th, 2011
A 30ish woman confronts the 60ish man who had sex with her when she was only 12 in David Harrower’s harrowing Blackbird, now shocking, disturbing, and dare I say entertaining audiences in equal measure in its Los Angeles premiere by Rogue Machine Theatre.
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THE INSIDIOUS IMPACT OF ANTON
Sunday, July 24th, 2011
You could hardly call Francesca “The Girl Who Has Everything,” but she for one is not complaining. She has a job and a small circle of sort-of friends, and while she doesn’t have a husband or a boyfriend, what she does have is a life which includes “people, cable, books on occasion, sex when required. And an apartment that always gets compliments.” And then she meets Anton.
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RE-ANIMATOR: THE MUSICAL
Sunday, July 10th, 2011
Every so often a show comes along that attracts audiences who’d never ordinarily set foot inside a legitimate theater, let alone for a musical, heaven forbid. Rare examples of these surprise cult hits include Spamalot, which drew in Monty Python fans in droves; Joe’s Garage, which had Frank Zappa fans lined up around the corner at Open Fist; and now Re-Animator™-The Musical, which opened in February for a six-week run at the Steve Allen Theatre and has been packing them in since then.
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A DEATH IN COLOMBIA
Sunday, July 3rd, 2011
It takes particular skill to write a thriller for the stage. Playwrights can’t rely on chase sequences or camera angles or other cinematic tricks as screenwriters can. Their task becomes all the more difficult if the stage thriller they’re writing is to unfold in real time on a single set with only a handful of characters. Add to the above a political theme, and you’ve got a doozy of a writing assignment.
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