AFTER HOURS


Cancer patients and family members dealing with the Big C let down their hair (and occasionally their guard) at a bar called After Hours in E.M. Hodge’s aptly named After Hours, now getting its World Premiere at Theatre 68.  Like Michael Christofer’s The Shadow Box, Hodge’s dramedy finds considerable laughter amongst the inevitable tears, and under Paul McGee’s assured direction, marks a promising full-length debut for the playwright.
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HEY, MORGAN!


“Certain girls are born to greatness. Others don’t know what their place is. But whether you’re Michelle Obama, or selling tickets at the Cinerama, the story lives inside of you, a tale in every life.”

Little did Morgan Farkas (not her real last name) realize when she invited former high school classmate Isaac Laskan (his real last name) to become her post-college roommate that her not-so-extraordinary life would become the inspiration for an hour-long chamber musical that’s taken Los Angeles by storm (or at least as much as any show running in a 30-seat theater can be said to take a big city by storm). 
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CRUMBLE (LAY ME DOWN JUSTIN TIMBERLAKE)

RECOMMENDED
The walls have eyes…and ears and a mouth and arms and legs in Crumble (Lay Me Down Justin Timberlake), Sheila Callaghan’s surreal family drama, now playing at Sacred Fools Theatre.
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DAVID DEAN BOTTRELL MAKES LOVE: A ONE-MAN SHOW


As a boy growing up in a state whose motto is “If you can catch it, you can fuck it,” young David Dean Bottrell probably never dreamed that he would one day become a successful actor, comedian and screenwriter, pen a monthly column for MetroSource Magazine and write for the Huffington Post, win seventeen awards for his short film Available Men, be one of the stars of the L.A. stage smash Streep Tease, or direct the current Colony Theatre hit Travels With My Aunt. And even if he had dreamed this impossible dream, he probably never would have imagined that just talking about his life on a nearly bare stage would turn into one of Summer 2011’s hottest tickets.
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THE LANGUAGE ARCHIVE


“It’s estimated that every two weeks, a language dies. I don’t know about you, but this statistic moves me far more than any statistic on how many animals die or people die in a given time, in a given place. Because when we say a language dies, we are talking about a whole world, a whole way of life.”
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BHUTAN


Something went dreadfully wrong in the life of New Hampshire high school senior Warren Conroy a year ago, or so we surmise from our first glimpse of him, behind bars, in Daisy Foote’s riveting family drama Bhutan, now getting a superb West Coast Premiere at Rogue Machine Theatre under the inspired direction of Elina de Santos.
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HERMETICALLY SEALED


Hermitically Sealed is both the title of Kathryn Graf’s compelling new family drama and an apt description of the way 40something caterer Tessie May has chosen to live the life she shares with her teenage male offspring—like an egg, “safe and sound in its own little world.”
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MOSES SUPPOSES


1970 Oscar nominee Karen Black and David Proval of TV’s The Sopranos play longtime marrieds in Moses Supposes, Ellen Malaver’s entertaining family comedy—no, make that entertaining dysfunctional family comedy, now playing at the Zephyr Theatre.
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