THE NEW ELECTRIC BALLROOM

NOT RECOMMENDED

When deciding whether to spend an hour and a half with a trio of loony Irish sisters in Enda Walsh’s The New Electric Ballroom, the latest production of the multiple award-winning Rogue Machine, you might want to ask yourself how important it is for you to understand what’s happening onstage when watching a play. How important is it for you that a story should unfold in some kind of recognizable reality? How willing are you to suspend disbelief, ignore confusion, and simply go with the flow?
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LANGUAGE ROOMS


In his dramatic, suspenseful Back Of The Throat, Egyptian-American playwright Yussef El Guindi explored the plight of an Americanized young Arab who finds himself caught in the Hitchockean dilemma of being pursued for a crime he did not commit—in this case, of plotting terrorist acts in a post-9/11 world. By making Khaled an entirely likeable boy-next-door type with an American girlfriend and nary the trace of an Arabic accent, El Guindi got his audience firmly on the side of the accused before starting to plant seeds of doubt in our minds. Might Khaled actually be the terrorist he’s accused of being?

Language Rooms, El Guindi’s latest, takes a more comedic approach to the same post-9/11 world, but one no less powerful for the laughter it provokes, and has been brought down to Los Angeles lock, stock, director, cast, designers, and barrel by San Francisco’s Golden Thread Productions.
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WHERE THE GREAT ONES RUN


Mark Roberts writes plays about abuse, adultery, addiction, illness, incest, and suicide in the American Midwest, or at least that’s the terrain he covered in Parasite Drag, reviewed here a couple years back. Rogue Machine Theatre produces dark, edgy dramas like Small Engine Repair and Blackbird, which swept virtually every major theater award in town this past year. That’s why Roberts’ and Rogue Machine’s maiden collaboration, Where The Great Ones Run, comes as such a surprise. Though alcoholism, domestic violence, homosexuality, and a rather long bit of full-frontal male nudity would doubtless make this Mark Roberts play rather too daring for, say, Actors Co-op, coming from Rogue Machine, Where The Great Ones Run seems downright sunny, more Horton Foote than Sam Shepard, and if you’re anything like this reviewer you’ll love every minute of Roberts’ only slightly acidic valentine to small-town Indiana life. (read more)

A LITTLE NIGHT MUSIC


East West Players continues its love affair with Stephen Sondheim with a fresh, new Asian-Pacific Islander take on A Little Night Music, one which follows in the footsteps of past EWP-SS collaborations begun back in 1979 with Pacific Overtures. Company, Follies, A Funny Thing Happened On The Way To The Forum, Into The Woods, Marry Me A Little, Merrily We Roll Along, Passion, and Sweeney Todd have all gotten East West Players makeovers since then, and now Sondheim and Hugh Wheeler’s 1973 adaptation of Ingmar Bergman’s Smiles of a Summer Night at last makes its East West debut.
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THE GIRL MOST LIKELY TO


By day, he is a schoolteacher in the Philippines. By night, he becomes the gowned and bejeweled drag entertainer known to all Luzon as Mama Cid.

Across the world, an American high schooler dons girls’ clothes too, but for a very different reason. “This is how I have to be,” he tells his mother. “Otherwise I die.”

Playwright Michael Premsrirat takes these two characters—separated by an ocean and several decades—and ties their stories together quite extraordinarily in The Girl Most Likely To, now getting its World Premiere production under the truly inspired direction of Jon Lawrence Rivera.
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THE BEWILDERED HERD


Among political commentator Walter Lippmann’s best known quotes is the following: “The public must be put in its place…so that each of us may live free of the trampling and the roar of a bewildered herd.” In other words, if you want democracy to work, you’ve got to control the minds of the masses, something which political consultant Charlie “Bingo” Bingham, the (anti)hero of Cody Henderson’s World Premiere The Bewildered Herd knows only too well. You might even call it Bingo’s mission in life to keep the bewildered herd (i.e.  the people in his life—and you and me) in line.
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JERSEY SHOREsical: A Frickin’ Rock Opera

RECOMMENDED
Imagine if the cast of MTV’s Jersey Shore decided to put on a musical about their lives. Then imagine that the cast of Jersey Shore actually had enough talent to put on a musical about their lives. What you’d end up with would likely be something a great deal like JERSEY SHOREsical: A Frickin’ Rock Opera, now playing at the Hayworth Theater following its Best Ensemble Award-winning run at the New York Fringe Festival.
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WORST AUDITION EVER


Actors give stand-up comics a run for their money in Worst Audition Ever, now back for more laughs at Silver Lake’s Cavern Club, downstairs from Casita Del Campo Restaurant.
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