IN THE RED AND BROWN WATER


The gods and goddesses of the West African Yoruba people are transformed into African-Americans living in the projects of San Pere, Louisiana in Tarell Alvin McCraney’s award-winning In The Red And Brown Water, now getting an impressive Los Angeles premiere at the Fountain Theatre.
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DOESN’T ANYONE KNOW WHAT A PANCREAS IS?


Friends (and friends of friends) find themselves Looking For Love In Los Angeles in Carole Real’s funny, perceptive new comedy Doesn’t Anybody Know What A Pancreas Is?, now getting a sparkling World Premiere production by Ensemble Studio Theatre/LA.
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TEA, WITH MUSIC


When Velina Hasu Houston’s Tea was first staged back in 1987, the playwright could scarcely have imagined that one night, twenty-five years later, her poetic tribute to her mother and the 100,000 other Japanese “war brides” who came to the U.S. after World War II would one night become Tea, With Music, an exquisite new chamber musical now getting its World Premiere production by East West Players.
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AVENUE Q


DOMA Theatre Company presents its strongest production to date with the first L.A.-area intimate staging of Avenue Q, Robert Lopez, Jeff Marx, and Jeff Whitty’s 2004 Tony-winning Best Musical, brought to fresh new life by director extraordinaire Richard Israel and an ever-so-talented young cast.
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THE FISHERMAN’S WIFE


An unhappily married fisherman and his wife get some unsolicited sex therapy from a nautically tattooed traveling salesman and a sexually insatiable pair of tentacled sea creatures in Steve Yockey’s laugh-out-loud surreal screwball comedy The Fisherman’s Wife, Ensemble Studio Theatre’s maiden offering in The Speakeasy, its brand new (and aptly named) performance space in Atwater Village.
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A BRIGHT NEW BOISE


A great big bear of a man stands alone at night in a deserted Boise, Idaho parking lot and repeats and repeats a single word like a cry to heaven. “Now. Now. Now.” The “now” Will is begging for is the moment in which the “dead in Christ” and those who are still alive will be “caught up in the clouds to meet the Lord”—in other words, The Rapture. In the meantime, the Boise newcomer has taken a part-time job at the local Hobby Lobby superstore, the better to get to know teenage cashier Alex, the son he gave up for adoption eighteen years ago.
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LITTLE SHOP OF HORRORS


The prodigiously talented students of USC’s Musical Theatre Repertory join forces to produce, direct, perform in, and design one of MTR’s absolute best productions to date, an almost perfect intimate theater revival of the Broadway/cult classic Little Shop Of Horrors that more than holds its own against the finest professional productions in town.
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SILENCE! THE MUSICAL


When a flock of musical theater triple-threats adorned with sheep’s ears and hooves blend light-operatic voices to sing out “This is the story of Clarice,” only to be joined by a pantsuit-clad jogger looking like none other than a young Jodie Foster in FBI trainee mode, there’s only one place you could possibly be, whether in New York or L.A., and that’s at SILENCE! The Musical, the “unauthorized parody of Silence Of The Lambs” whose continuing Off-Broadway run has proved so successful that a sister production has now opened in Los Angeles to audience laughter and cheers.
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