COCK

It’s time for John to stop letting M down (and standing him up and cheating and lying and failing and generally cocking things up), or so the 20something gay Brit’s lover informs him upon learning of his younger partner’s serious fling with a member of the opposite sex in Mike Bartlett’s provocative (and provocatively titled) dramatic comedy Cock, now getting an imaginatively directed, thrillingly acted West Coast Premiere at Rogue Machine.
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ANIMALS OUT OF PAPER

A woman who has become a virtual recluse in the months since the breakup of her marriage and the disappearance of a cherished pet. A high school calculus teacher who’s been keeping a written record of his life’s every blessing since the age of twelve. The teacher’s star student, an Indian-American math nerd who fancies himself a black rapper.

Pulitzer Prize finalist Rajiv Joseph weaves these three ordinary lives into something quite extraordinary in his 2008 dramedy Animals Out Of Paper, now being given a pitch-perfect Los Angeles Premiere as the opening salvo in East West Players’ two-year-long celebration of its 50th season of offering Angelinos of every ethnicity the finest in Asian-American theater.
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BULRUSHER

The power of live theater to transport an audience to another time, another place, while exploring and revealing the mysteries of the human heart, is made gorgeously, magically clear in Skylight Theatre Company and Lower Depth Theatre Ensemble’s co-production of the Los Angeles premiere of Eisa Davis’s Pulitzer Prize finalist Bulrusher.
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IN A DARK DARK HOUSE

NOT RECOMMENDED

It’s rare than a single performance can sink an otherwise mostly fine production, but such is the case in the Los Angeles Premiere of Neil LaBute’s In A Dark Dark House, a play consisting of three extended two-actor scenes revolving around a central character who only departs the stage during set changes. Unfortunately, since Aaron McPherson is not up to the challenges of bringing Terry to real, three-dimensional life, In A Dark Dark House fails to get the Matrix Theatre Guest Production it deserves.
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ANDRONICUS

”14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism” is how critic S. Mark Hulse sums up William Shakespeare’s vengeance-fueled Titus Andronicus, and Coeurage Theatre Company gives us each and every one of the above in a mere two hours (including intermission) in Jeremy Lelliott’s exhilarating new adaptation of Shakespeare’s contribution to the “revenge play” genre, redubbed Andronicus to befit this leaner, zippier incarnation of the 16th-Century classic.
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LAND LINE

“When a health crisis forces Terry to move back into his parents’ basement, his best friend John supports him with laughter, sympathy, bravado, and finally, honesty.”

Rarely has a press release taken such pains to be detail/spoiler-free, so in the interest of honoring Ensemble Studio Theatre/LA’s wishes, let me simply say: If you’re in the mood for a beautifully written, exquisitely acted, and often quite funny tearjerker, make plans to see Stephen Dierkes’ World Premiere dramedy Land Line—and should eye makeup be your thing, be sure your mascara is waterproof.
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DENTAL SOCIETY MIDWINTER MEETING

RECOMMENDED

Buzzworks Theater Company returns with the often entertaining West Coast Premiere of Laura Jacqmin’s Dental Society Midwinter Meeting, and though the one-act comedy proves a hit-or-miss affair, I’d gladly take it over a January in Skokie, Illinois.
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THE BROTHERS SIZE

RECOMMENDED

The Fountain Theatre follows its multiple award-winning 2012 production of Tarell Alvin McCraney’s In The Red And Brown Water with the Los Angeles Premiere of the 33-year-old playwright’s The Brothers Size, and while the production is as beautifully acted as they get, I am a good deal less enamored with the second in McCraney’s Brother/Sister Plays trilogy than I was with the first.
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