DAY TRADER


Expect the unexpected, and then some, in Eric Rudnick’s edgy, twist-filled Day Trader, thrillingly staged and terrifically acted in its World Premiere production at the Bootleg Theatre.
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THE FACE, Behind The Face, behind the face


Musical theater performer Anthony Gruppuso takes a look at an actor’s life—and his own in particular—in his entertaining, gorgeously sung one-man show THE FACE, Behind The Face, behind the face, playing this weekend only at Theatre West.
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DALLAS NON-STOP


The age-old tale of a small-town girl with big-city dreams gets retold with Filipino tang in Boni B. Alvarez’s bittersweet romcom Dallas Non-Stop, the crowd-pleasing latest from Playwrights’ Arena.
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IN THE HEIGHTS


Usnavi, Vanessa, Benny, Nina, Sonny, Daniela, Piragua Man, and all the colorful Washington Heights locals of Lin-Manuel Miranda and Quiara Alegria Hudes’ In The Heights are back in the Heights (Boyle Heights that is) as Teatro Nuevos Horizontes’ multiple Scenie-winning production of the 2008 Broadway hit returns for this year’s holiday season with four of its original stars intact and many of its new principal players living up to memories of last year’s all-around phenomenal leads.
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BARRYMORE


Southern California musical theater star Gordon Goodman brings to life stage-and-screen legend John Barrymore in William Luce’s Barrymore, the virtual one-man-show that won its originator Christopher Plummer the Tony and could well earn Goodman equivalent recognition when L.A. award season comes around.
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THE NISEI WIDOWS CLUB: How Tomi Got Her Groove Back


The Japanese-American Golden Girls who call themselves The Nisei Widows are back at East West Players, and if those who caught the first installment Nisei Widows Club in 2003 can ignore the knee-jerk reaction, “Never again!”, this return visit ten years later, while still pure sitcom, proves considerably more entertaining, and ultimately quite touching once (as the play’s title gives away) Tomi’s got her groove back.
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THE MUSICAL OF MUSICALS (THE MUSICAL!)


How would you like to relive every single musical ever written by Rodgers & Hammerstein, Stephen Sondheim, Jerry Herman, Sir Andrew Lloyd Webber, and Kander & Ebb … all in under two hours and performed by a cast, not of thousands or hundreds (or even dozens) but a mere four terrifically talented triple-threats?
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FALLING


The challenges of caring for a fully-grown, severely autistic adult child are dealt with powerfully, insightfully, and with occasional refreshing bursts of humor in Deanna Jent’s Falling, now getting a Grade-A West Coast Premiere at Rogue Machine Theatre.
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