A PERMANENT IMAGE

Thomas Wolfe to the contrary, you can go home again, though it takes a life-altering event for adult siblings Bo and Ally to set foot anywhere near their Idaho birthplace in A Permanent Image, Samuel D. Hunter’s 2011 journey into the dark heart of the American Northwest, now getting a superb West Coast Premiere at Rogue Machine Theatre.
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THE HOUSE OF YES

Siblings don’t get any more twincestuous than Anthony and Jackie-O Pascal, the brother-sister protagonists of Wendy MacLeod’s delectably dark The House Of Yes, back for a terrifically acted 25th-anniversary revival at the Zephyr on Melrose.
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THE WOODSMAN

Playwright Steven Fechter puts a human face on that most reviled of sex offenders, the convicted child molester, in The Woodsman, the powerful latest from Coeurage Theatre Company and a production sure to generate both thought and discussion long after curtain-call applause has died.
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AMERICAN IDIOT

glory|struck productions, who gave Los Angeles the Scenie-winning one-two punch of Spring Awakening In Concert and bare a rock musical, are back in town with what is likely to prove the musical theater event of the season, a head-bangingly thrilling Green Day’s American Idiot brought to surround-sound and surround-sight life in the Downtown L.A. Arts District warehouse provocatively dubbed The Vortex.
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THE WHO’S TOMMY

A fabulous, primarily Asian-American cast, design elements with a Far East flavor, and a 1960s-though-‘80s time frame that inspires a slew of innovative costumes and choreography …

All of this (and more) add up to an exciting East West Players revival of the now iconic The Who’s Tommy.
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GUS’S FASHIONS & SHOES

Plays don’t get much more testosterone-fueled than Gus’s Fashions & Shoes, the grittily dramatic, darkly comedic latest from writer-director Ron Klier, whose Cops And Friends Of Cops kept Vs. Theatre audiences glued to the edge of their seats two years back.
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CIRCUS UGLY

NOT RECOMMENDED

Some plays are so unexpectedly marvelous and/or so deeply thought-provoking that you can’t stop talking about them long after the house lights have gone back up. Gabriel Rivas Gomez’s Circus Ugly, the latest from Playwrights’ Arena, is likely to inspire almost as much post-performance conversation as those, but for a different reason. Yes, several of its performers manage to impress and so does a topnotch production design, but not even a lukewarm recommendation is possible for a play that still has me scratching my head and wondering, “WTF was that?!”
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I AND YOU

When was the last time you saw a contemporary teen dramedy that not only featured a pair of complex, non-stereotypical characters but added something to the genre and in its final moments left you breathless?

Lauren Gunderson’s I And You is that play, at once funny, captivating, and profoundly moving, a powerful piece of theater now getting its Los Angeles Premiere in a production highlighted by Jennifer Finch’s and Matthew Hancock’s star-making performances under Robin Larsen’s inspired direction.
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