NEXT THING YOU KNOW

No one writes contemporary musical romcoms better than Joshua Salzman and Ryan Cunningham, proof positive of which can be savored in Next Thing You Know, the duo’s charming, infectiously tuneful follow-up to their off-Broadway hit I Love You Because, now being given a terrific West Coast Premiere by Chromolume Theatre Company.
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DRY LAND

Fearless only begins to describe the performances being given by Teagan Rose and Connor Kelly-Eiding, the two extraordinary young stars of Ruby Rae Spiegel’s darkly comic, graphically disturbing Dry Land, now getting a riveting West Coast Premiere by The Echo Theater Company.
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A LITTLE NIGHT MUSIC

In a 180-degree stylistic turn from last year’s Grease (USC’s most crowd-pleasing big-stage musical in years), the School Of Dramatic Arts revives Stephen Sondheim and Hugh Wheeler’s A Little Night Music so exquisitely that only its cast’s youth distinguishes it from the best of professional revivals.
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CRIERS FOR HIRE

A trio of SoCal Filipinas earning extra cash by weeping and wailing at funerals may provide the title (and the hook) for Giovanni Ortega’s Criers For Hire, but it’s the play’s mother-daughter reunion and its look at a teenage girl’s coming-of-age in a new land that give Ortega’s delightful, charming World Premiere comedy its emotional heart and punch.
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THE MOUNTAINTOP

A sexy young maid’s late-night visit to a preacher’s Memphis motel room provokes unexpected consequences in Katori Hall’s The Mountaintop. That the preacher in question is Dr. Martin Luther King on the last night of his life is just one reason audiences should be lining up to catch the Olivier Award Winning Best New Play of 2009’s long-awaited Los Angeles Premiere at the Matrix.
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SALOME

RECOMMENDED

You may love it, you may hate it, you may leave the theater scratching your head and wondering “WTF was that about?” … but one thing is certain. There’s nothing else in town quite like the “militantly erotic epiphany for the 21st Century” that is Christopher Adams-Cohen’s Salome, the playwright/actor’s “radically queer reinvention of the ancient tale of [you guessed it] Salome.”
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FOREVER HOUSE

RECOMMENDED

An authentically written, believably acted gay couple, a supporting cast mostly out of sitcomland save one refreshingly non-stereotypical evangelical, a sudden life-altering cataclysm, an overwrought detour into solo performance territory, and an apparent case of demonic possession inside a fixer-upper Craftsman-style house just outside L.A. add up to one decidedly disjointed dramedy in Tony Abatemarco’s Forever House, now getting its World Premiere at Los Feliz’s Skylight Theatre.
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DREAM CATCHER

Highly-charged subject matter, dynamic performances, and enough sexual heat to match the highest temperatures in the Mojave Desert spark Stephen Sachs’ thought-provoking Dream Catcher, now electrifying audiences in its World Premiere engagement at the Fountain Theatre.
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