THE CAKE

Bekah Brunstetter puts a deeply personal, delightfully down-home face on the Gay-Wedding-Cake Wars in The Cake, the gifted young playwright’s latest World Premiere dramedy, another feather in director Jennifer Chambers’ and The Echo Theater Company’s multi-plumed hats.
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LOVE IS A DIRTY WORD

Plenty of actors have stories to tell, and plenty of those may be as solo-show-ready as Giovanni Adams’ tale of growing up black and “sissy” in Jackson, Mississippi, but few end up as exquisitely written, stunningly performed, and strikingly designed as the Yale University grad’s World Premiere Love Is A Dirty Word.
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IT’S ONLY LIFE

The dreams and searching and loneliness and blessings that make up this thing called life are highlighted in song in Art-In-Relation’s superbly performed, imaginatively directed intimate staging of John Bucchino’s aptly-titled It’s Only Life.
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NICKY

Chekhov’s melancholy antihero Nikolai Ivanov is alive and well and living unhappily ever after in today’s Palm Springs as Nicky, the titular protagonist of Boni B. Alvarez’s rewardingly adventurous reinvention of a late-19th-century Russian classic.
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THE LAST BREAKFAST CLUB

Imagine John Hughes’ archetypal Brain, Athlete, Basket Case, Princess, and Criminal performing twenty or so ‘80s hits to a live band inside the Shermer High School library as the only kids left in “an apocalypse of nuclear zombies” and you’ve got The Last Breakfast Club, the latest from Rockwell Table And Stage and the ab-fab first in a series of The Fuse Project musical movie spoofs.
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FIVE GUYS NAMED MOE

The Nate Holden Performing Arts joint is a-jumpin’—and then some—as Ebony Repertory Theatre thrills L.A. audiences with its 25th-anniversary revival of the Best Musical Tony-nominated Five Guys Named Moe, Broadway’s crowd-captivating tribute to the songs of 1940s R&B pioneer Louis Jordan.
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JERSEY BOYS

Mark Ballas shows off Frankie Valli vocals to match his Dancing With The Stars footwork as Jersey Boys, the 12th-longest-running show in Broadway history, arrives at the Ahmanson Theatre to dazzle audiences with its true-life story of pop legends The Four Seasons (plus a few dozen Top Forty smashes thrown in for zing).
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NEXT TO NORMAL

Deedee Magno Hall gives a beautifully nuanced performance as bipolar wife-and-mother Diana Goodman opposite her real-life spouse Cliffton Hall’s powerful Dan Goodman in Brian Yorkey and Tom Kitt’s Next To Normal, and though the East West Players season closer doesn’t deliver on all fronts, it provides the Halls with a pair of dream roles and audiences with a moving musical look at the effects of mental illness on an all-American family.
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