THE UNAUTHORIZED MUSICAL PARODY OF MEAN GURLZ

Mean Gurlz rule from now through mid-April as Rockwell Table & Stage’s UMPO series returns with The Unauthorized Musical Parody Of Mean Gurlz, a tasty musical treat whether you’re a die-hard fan of a certain Lindsay Lohan movie smash or simply show up at Los Feliz’s trendiest cabaret for a dozen-and-a-half pop hits performed by some of SoCal’s most exciting young vocal stars.
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THE FOUND DOG RIBBON DANCE

Only the lonely populate The Found Dog Ribbon Dance, but don’t let that fool you into thinking that Dominic Finocchiaro’s wondrous World Premiere is anywhere near a downer. On the contrary, the latest from Echo Theater Company is precisely the kind of play you’ll want to tell all your romcom-loving friends (and just about anyone else in search of smart, funny, heartstrings-tugging, feel-good new theater) not to miss.
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COMPANY

The all-student talent of USC’s Musical Theatre Repertory rises to the many challenges of Stephen Sondheim and George Furth’s Company—and then some—in an intimate staging that stands out as one of the finest of the eighteen MTR productions I’ve reviewed over the past nine years.
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THE LAST VIG

Supporting performances are uniformly terrific and design elements as good as it gets, but with a low-energy Burt Young slowing things down to a snail’s pace, audiences in search of theatrical sparks had best look elsewhere than writer-director David Varriale’s potentially entertaining Mafia comedy The Last Vig*.
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TORUK – The First Flight

 

Spectacle there is in abundance and performers are as spectacularly multitalented as you’d expect from Cirque Du Soleil, but the stadium-scale TORUK – The First Flight, now making a four-day stop at The Forum, is likely to prove a letdown to both Cirque fans and those expecting see James Cameron’s Avatar live on stage.
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BLOODLETTING

A Filipino-American brother and sister’s pilgrimage to their recently deceased father’s birthplace takes a supernatural turn in Boni B. Alvarez’s Bloodletting, a Playwrights’ Arena World Premiere that could appeal to fans of the occult who don’t mind spending seventy-five minutes with a couple of rather obnoxious siblings.
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AMÉLIE, A NEW MUSICAL

Romance and whimsy reign supreme at the Ahmanson Theatre this holiday season as the century’s most popular French movie heroine takes center stage in Amélie, A New Musical, a Southern California Premiere blessed by a tuneful (and virtually nonstop) score, entrancing performances (including a beguiling star turn by Hamilton star Phillipa Soo), and a magical production design unlike anything I’ve seen before. Give Amélie, A New Musical some judicious book tweaking and it could well prove a Broadway winner in 2017.
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THE UNAUTHORIZED MUSICAL PARODY OF HOME ALONE

Rockwell Table And Stage will have audiences rocking around the Christmas tree John Hughes-style all December long with The Unauthorized Musical Parody Of Home Alone, the most rollicking, raunchy, radio-hit-packed holiday entertainment in town.
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