THE WOLVES

Echo Theater Company has not only scored a major coup in snagging the Los Angeles Premiere rights to Sarah DeLappe’s 2017 Pulitzer Prize finalist The Wolves, the extraordinary production Echo has mounted of DeLappe’s Altmanesque eavesdropping on six Saturdays of teen-girl soccer warmups will surely be remembered as one of 2019’s best.
(read more)

AMERICA ADJACENT

The United States proves far from paradise for six Filipino women seeking a brighter future for their unborn (or recently born) infants in Boni B. Alvarez’s captivating and compelling hot-button-issue dramedy America Adjacent, a Skylight Theatre Company World Premiere.
(read more)

ATTACK OF THE SECOND BANANAS

Dueling divas get double-murdered in Gina Torrecilla’s Attack Of The Second Bananas, a World Premiere backstage comedy whodunnit that despite occasional bright moments mostly falls flat.
(read more)

CANYON

Memories of the way we were pre-Election 2016 ignite Jonathan Caren’s Canyon, the explosive latest from IAMA Theatre Company, Latino Theater Company, and the playwright who gave IAMA its much-awarded The Recommendation a half-dozen or so years back.
(read more)

MAN OF GOD

The discovery of a spy cam pointing up from inside the hotel bathroom toilet of four Korean-American teens on a mission trip to Thailand sets in motion a wild and unexpected chain of events in Anna Moench’s Man Of God, an East West Players World Premiere as funny, dramatic, and edge-of-your-seat gripping as it is a timely reminder that there are no age restrictions where the #metoo movement is concerned.
(read more)

MATTHEW BOURNE’S CINDERELLA

The world’s favorite step-daughter once again meets her Prince Charming (but this time the man in question is an injured WWII pilot, the setting is London circa The Blitz, and their romantic tale-as-old-as-time is told entirely in dance as only Sir Matthew Bourne can choreograph it) in the thrillingly performed, apty retitled Matthew Bourne’s Cinderella (Music By Prokoviev), now paying a return visit to the Ahmanson Theatre twenty years after it first captivated L.A.
(read more)

LAST CALL

Anne Kenney is hardly the first writer to tackle the issues confronting adult children of aging parents but her theatrical debut, Last Call, an Open Fist Theatre Company World Premiere, is as perceptive and powerful as family dramas get.
(read more)

AUGUST WILSON’S TWO TRAINS RUNNING

August Wilson’s Pulitzer Prize-nominated Two Trains Running arrives at the Matrix just in time for Black History Month in as powerfully staged and performed a production as any theatergoer, regardless of color, could possibly wish for.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »