SUNDAY IN THE PARK WITH GEORGE
Saturday, March 30th, 2019
USC School Of Dramatic Arts offers musical theater aficionados the rare opportunity to see Stephen Sondheim’s musical masterpiece Sunday In The Park With George fully staged, fully orchestrated, exquisitely designed, and most importantly of all, superbly performed by a stellar student cast.
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HYPE MAN: a break beat play
Tuesday, March 19th, 2019
The police shooting of an unarmed African-American teenager impacts the lives of a white rapper, his black backup singer, and the multiracial beat maker who completes their stardom-bound rap group in Idris Goodwin’s HYPE MAN: a break beat play, an exhilarating, discussion-provoking Fountain Theatre West Coast Premiere.
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THE WOLVES
Sunday, March 17th, 2019
Echo Theater Company has not only scored a major coup in snagging the Los Angeles Premiere rights to Sarah DeLappe’s 2017 Pulitzer Prize finalist The Wolves, the extraordinary production Echo has mounted of DeLappe’s Altmanesque eavesdropping on six Saturdays of teen-girl soccer warmups will surely be remembered as one of 2019’s best.
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AMERICA ADJACENT
Tuesday, March 5th, 2019
The United States proves far from paradise for six Filipino women seeking a brighter future for their unborn (or recently born) infants in Boni B. Alvarez’s captivating and compelling hot-button-issue dramedy America Adjacent, a Skylight Theatre Company World Premiere.
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ATTACK OF THE SECOND BANANAS
Sunday, March 3rd, 2019Dueling divas get double-murdered in Gina Torrecilla’s Attack Of The Second Bananas, a World Premiere backstage comedy whodunnit that despite occasional bright moments mostly falls flat.
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CANYON
Saturday, March 2nd, 2019
Memories of the way we were pre-Election 2016 ignite Jonathan Caren’s Canyon, the explosive latest from IAMA Theatre Company, Latino Theater Company, and the playwright who gave IAMA its much-awarded The Recommendation a half-dozen or so years back.
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MAN OF GOD
Friday, February 8th, 2019
The discovery of a spy cam pointing up from inside the hotel bathroom toilet of four Korean-American teens on a mission trip to Thailand sets in motion a wild and unexpected chain of events in Anna Moench’s Man Of God, an East West Players World Premiere as funny, dramatic, and edge-of-your-seat gripping as it is a timely reminder that there are no age restrictions where the #metoo movement is concerned.
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MATTHEW BOURNE’S CINDERELLA
Thursday, February 7th, 2019
The world’s favorite step-daughter once again meets her Prince Charming (but this time the man in question is an injured WWII pilot, the setting is London circa The Blitz, and their romantic tale-as-old-as-time is told entirely in dance as only Sir Matthew Bourne can choreograph it) in the thrillingly performed, apty retitled Matthew Bourne’s Cinderella (Music By Prokoviev), now paying a return visit to the Ahmanson Theatre twenty years after it first captivated L.A.
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