APPLE SEASON

Childhood abuse survivors return to the Oregon farm they once called home in E.M. Lewis’s compact dramatic gem Apple Season, a National New Play Network Rolling World Premiere now riveting audiences at Atwater Village Theatre.
(read more)

DANCING AT LUGHNASA

Brian Friel lovers could not ask for a finer production of his 1992 Best Play Tony winner Dancing At Lughnasa than Open Fist Theatre Company’s 2019 revival. Non-devotees might find their attention wandering during its long, chitchat-filled first act, but once Friel’s memory play takes fire post-intermission, the latest from Open Fist more than merits curtain-call cheers.
(read more)

THE PLAY THAT GOES WRONG

So nonstop hilarious is the latest National Tour playing a visit to the Ahmanson, The Play That Goes Wrong just might hold the laugh-a-minute record for a West End-to-Broadway comedy smash.
(read more)

ANNE, A NEW PLAY

Anne Frank is alive and well and living in Paris when first we meet her in Anne, A New Play, Nick Blaemire’s trimmed-down adaptation of a 2014 Dutch-language hit whose powerful U.S. Premiere more than merits a visit to the Museum Of Tolerance.
(read more)

INDECENT

A gut-punching, all-too relevant look at Antisemitism, censorship, homophobia, anti-immigration hysteria, the Holocaust, and McCarthyism during the first half of the 20th Century, Paula Vogel’s Indecent is also a thought-provoking demonstration of the power of live theater to both inspire and inflame, and for Los Angeles theatergoers, a chance to see the production that scored director Rebecca Taichman a Tony win two years ago.
(read more)

SUCKER PUNCH

South London accents either too thick to be understood or virtually non-existent along with loads of British slang prove detrimental to Coeurage Theatre Company’s site-specific West Coast Premiere of Roy Williams’ Sucker Punch. So do view-blocking sight lines for certain audience members squeezed into the Tiger Boxing Gym just off Melrose.
(read more)

THE END OF BEAUTY

Musings on art and beauty serve as an intellectual prelude to a provocative look at a marriage in crisis in Cory Hinkle’s The End Of Beauty, the latest Playwrights’ Arena World Premiere.
(read more)

MAMA METAL

Playwright Sigrid Gilmer deals with a lifetime’s worth of mother-daughter issues in the most theatrically adventurous of ways in Mama Metal, the head-banging latest from IAMA Theatre Company.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »