A CHRISTMAS CAROL
Thursday, December 2nd, 2021
No matter how many A Christmas Carols you’ve sat through (whether voluntarily or under family duress), the multiple-Tony-winning production whose National Tour marks the grand reopening of the Ahmanson Theater is likely to be the most wildly imaginative, profoundly moving A Christmas Carol you’ve ever seen, or ever will see, performed live on stage.
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THE CHILDREN
Sunday, November 28th, 2021Its Best Play Tony nomination aside, I found Fountain Theatre’s Los Angeles Premiere of Lucy Kirkwood’s The Children to be a depressing, upsetting downer.
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@PLAYAZ
Sunday, November 14th, 2021
A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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A HIT DOG WILL HOLLER
Saturday, November 13th, 2021
Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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THE SOLDIER DREAMS & NEVER SWIM ALONE
Sunday, November 7th, 2021Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
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THE ADDAMS FAMILY
Sunday, October 31st, 2021Musical Theatre Repertory, USC’s entirely student-produced, student-directed, student-cast, student-designed troupe of multitalented Trojans is back in business after a twenty-month hiatus, and audiences lucky enough to catch their ninety-minute “quarantined concert version” of Broadway’s The Addams Family can count themselves every bit as fortunate as the student talents at long last given new opportunities to shine.
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POOR CLARE
Sunday, October 24th, 2021Contemporary speak proves an ideal fit for Poor Clare, Chiara Atik’s screwball-comedy look at a 13th-century Paris Hilton who gave it all up for God and ended up a Saint.
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