BLUES FOR AN ALABAMA SKY


Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
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A CHORUS LINE


The annual USC spring musical is back after a three-year hiatus with director Tim Dang and choreographer Cedric Dodd’s strikingly fresh take on A Chorus Line, a talent showcase for a couple dozen Trojan triple-threats on their way to the top.
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APARTMENT LIVING


Playwright Boni B. Alvarez takes us back to the early months of the pandemic in Apartment Living, the latest Playwrights’ Arena/Skylight Theatre Company World Premiere, and assuming you’re okay with reliving those days of apprehension and uncertainty, Alvarez’s latest offers an adeptly balanced mix of comedy and drama, laughter and fears performed by an all-around fabulous acting ensemble and featuring the most ingenious set design in town.
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IN THE NEXT ROOM (or the vibrator play)


Open Fist Theatre Company scores another hit with Sarah Ruhl,s In The Next Room (or the vibrator play), the sparklingly provocative, unexpectedly touching 2010 Best Play Tony nominee that gave the award-winning playwright her first Broadway credit.
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ON THE OTHER HAND WE’RE HAPPY


On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
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HOODED, OR BEING BLACK FOR DUMMIES


Playwright Tearrance Arvelle Chisholm mixes absurdist comedy, farce, and surrealist fantasy sequences to intoxicating effect in the Echo Theater Company Los Angeles Premiere of Hooded, or Being Black for Dummies, a play every bit as provocative as its title.
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NEXT TO NORMAL


A gifted young director has reinvented Broadway’s Next To Normal for USC’s Musical Theatre Repertory in an all-student production blessed by a uniformly superb cast, seamlessly integrated choreography, and an electrifying lighting design.
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A LITTLE NIGHT MUSIC


A splendid cast, innovative direction, the most gorgeous costumes in town, and Stephen Sondheim at his most sublime are just several of the reasons to celebrate Knot Free Productions’ intimate staging of the rarely revived A Little Night Music at Greenway Court Theatre.
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