THE CHILDREN

Its Best Play Tony nomination aside, I found Fountain Theatre’s Los Angeles Premiere of Lucy Kirkwood’s The Children to be a depressing, upsetting downer.
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@PLAYAZ


A trio of adult gamers face post-lockdown challenges in Dana Schwartz’s engaging World Premiere comedy @Playaz, a play so of-the-moment it seems incredible that the 2019 O’Neill Finalist was originally written pre-Covid.
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A HIT DOG WILL HOLLER


Sparks fly, terrors are confronted, and truths are revealed to powerful effect when an African-American social media activist opens her door to a stranger in the World Premiere of Inda Craig Galván’s A Hit Dog Will Holler, a Playwrights Arena/Skylight Theatre Company co-production at the Skylight.
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THE SOLDIER DREAMS & NEVER SWIM ALONE

Daniel MacIvor’s unique gifts are on display in Open Fist Theatre Company’s The Soldier Dreams and Never Swim Alone, best seen as an evening double feature to fully appreciate the Canadian playwright at his most rule-breaking and rewarding.
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THE ADDAMS FAMILY

Musical Theatre Repertory, USC’s entirely student-produced, student-directed, student-cast, student-designed troupe of multitalented Trojans is back in business after a twenty-month hiatus, and audiences lucky enough to catch their ninety-minute “quarantined concert version” of Broadway’s The Addams Family can count themselves every bit as fortunate as the student talents at long last given new opportunities to shine.
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POOR CLARE

Contemporary speak proves an ideal fit for Poor Clare, Chiara Atik’s screwball-comedy look at a 13th-century Paris Hilton who gave it all up for God and ended up a Saint.
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ASCENSION

D.G. Watson’s trippy Ascension may run a good fifteen minutes too long and leave an audience wondering what on earth this “immersive, interactive, sci-fi mystery thriller” was all about, but the Echo Theater Company World Premiere is nothing if not different, and a terrific showcase for its designers.
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OUR MAN IN SANTIAGO


The CIA enlists the most improbable of assassins to rid Chile of its democratically elected president in Mark Wilding’s edge-of-your-seat hilarious Our Man In Santiago, an incisively directed, pitch-perfectly performed World Premiere from Theatre West.
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