UNCANNY VALLEY

Hot topics don’t get much hotter than artificial intelligence, whether in headline news, or movies like Ex Machina, or Jimmy Fallon interviewing “Robot Sophia” on late-night TV, or in Thomas Gibbons’ fascinating, discussion-prompting, edge-of-your seat two-hander Uncanny Valley, now getting its Los Angeles Premiere at Long Beach’s International City Theatre.
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CAROUSEL

Anyone curious about why Time Magazine named Rodgers & Hammerstein’s Carousel the 20th Century’s Best Musical need look no further than Musical Theatre West’s superb 21st-Century revival. Director Joe Langworth, choreographer Daniel Smith, and an all-around brilliant cast give us a Carousel still “fresh and alive and gay and young,” even at seventy-two years of age.
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AMOUR

Whimsical French chamber musicals and Broadway rarely if ever mix, no matter how tuneful, no matter how many Tony nominations they score, witness the 2002 flop Amour. They do, however, make for magical concert staged readings, witness Musical Theatre West’s one-night-only reading of the Best Musical/Best Score-nominated Michel Legrand gem.
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EVITA

Refreshingly innovative direction, memorable lead performances, a sensational ensemble, fresh dance moves, and a stunning production design make Musical Theatre West’s revival of the international smash Evita by far the finest regional staging I’ve seen of the Andrew Lloyd Webber-Tim Rice classic.
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MEMPHIS THE MUSICAL

Musical Theatre West looks to have yet another sold-out smash on its hands with Memphis The Musical, one of the most powerful, tuneful, exuberant shows New York and the rest of the world have seen in years.
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SHIPWRECKED!: THE AMAZING ADVENTURES OF LOUIS DE ROUGEMONT (AS TOLD BY HIMSELF)

Theatrical magic doesn’t get more magical—or more brilliantly theatrical—than Donald Margulies’ Shipwrecked!: The Amazing Adventures of Louis de Rougemont (as told by himself), now captivating audiences at Long Beach’s International City Theatre.
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LI’L ABNER

They don’t write shows like Li’l Abner anymore, and not just because the 1956 musical adaptation of the Al Capp comic strip pretty much defines political incorrectness. With its Original Broadway Cast of fifty-four, only schools and community playhouses could possibly hope to produce this musical behemoth in 2016—which makes it a perfect choice for the theatrical genre known as the Concert Staged Reading, proof positive of which was evidenced at Musical Theatre West’s Daisy Maezing one-night-only Reiner Reading Series latest.
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RAPTURE, BLISTER, BURN

San Pedro’s Little Fish Theatre scores a major programming coup in offering Angelinos their first 99-seat look at Gina Gionfriddo’s Rapture, Blister, Burn, the Pulitzer Prize-nominated playwright’s tangy examination of how much—and how little—women’s lives have changed from the pre-Betty Friedan 1950s to the post-post-Feminist today.
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