A SPLINTERED SOUL

World War II Holocaust survivors and Los Angeles theater audiences deserve far better than the preposterously plotted 1940s B-movie melodramatics of Long Beach playwright Alan L. Brooks’ A Splintered Soul, a major misfire from the almost always stellar International City Theatre.
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BRIGHT STAR

Gorgeous bluegrass melodies, a leading lady’s incandescent star turn, all-around terrific supporting performances, ingenious staging, and a plot straight out of a 1930s/40s Hollywood weeper will have you crying joyful tears that Musical Theatre West has made Steve Martin and Edie Brickell’s Bright Star its 66th season opener.
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THE GLASS MENAGERIE

The Glass Menagerie is in expert hands as International City Theatre revives the masterpiece that first put Tennessee Williams’ name on the map, giving it a 74th-anniversary revival sparked by impeccable direction, striking design, and performances that breathe fresh new life into a classic.
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YANKEE DOODLE DANDY

A talented cast do their best to breathe life into Musical Theatre West’s Yankee Doodle Dandy, a well-intentioned but ill-conceived look back at the life of George M. Cohan, the father of 20th-century musical comedy.
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THE 39 STEPS

Richard Hannay is on the run again in Patrick Barlow’s masterful four-actor comedic adaptation of John Buchan’s The 39 Steps, as supremely imaginative an evening of theater as you’re likely to experience any time soon.
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DO RE MI

It’s precisely for shows like Do Re Mi that Musical Theatre West’s Reiner Reading Series was created, Broadway chestnuts that for one reason or another have faded from memory despite Tony recognition and decent runs, and with Daniel Smith directing a crème-de-la-crème cast at Long Beach’s Beverly O’Neill Theatre, Do Re Mi’s one-night-only concert staged reading provided more than a few delights.
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CARDBOARD PIANO

War and homophobia wreak havoc on the lives of an overseas missionary couple’s teenage daughter, her Ugandan girlfriend, and the outwardly maimed, inwardly wounded 13-year-old soldier who interrupts their impromptu wedding ceremony one dark and devastating night in Hansol Jung’s Cardboard Piano, the gut-punching latest from International City Theatre.
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NICE WORK IF YOU CAN GET IT

The Twenties roar and Gershwin tunes soar as Musical Theatre West gives L.A. its first taste of the 2012 Broadway delight that is Nice Work If You Can Get It.
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