FIORELLO!


Here’s a trivia question for you: What do these eight Broadway musicals of the 1950s have in common?

Plain And Fancy, Pipe Dream, New Girl In Town, Oh, Captain!, Jamaica, La Plume De Ma Tante, Take Me Along, Redhead, and Fiorello!
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MAN OF LA MANCHA


You know from the striking “a cappella” flamenco dance tableau which opens Musical Theatre West’s revival of Man Of La Mancha that you’re in for something special. Then again, with multi-award winners Davis Gaines, Lesli Margherita, and Justin Robertson in the starring roles, Nick DeGruccio directing with his accustomed brilliance and imagination, and choreographic whiz Carlos Mendoza in charge of dance numbers, musical theater aficionados could expect nothing less.
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GOD OF CARNAGE


Long Beach’s International City Theater trumps the competition with its 2012 season opener of Yasmina Reza’s Tony-winning Best Play of 2009 God Of Carnage, a production which, while not technically its West Coast Premiere (Center Theatre Group got that honor by merely importing the Broadway team), nonetheless merits true event status for being built entirely from the ground up—brand new actors, a brand new director, and a brand new team of designers, all of them doing bang-up work on the ICT stage.
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HAIRSPRAY


It’s taken nearly ten years for the Broadway smash musical Hairspray to get its first L.A.-area CLO production, but it’s been well worth the wait, as Musical Theatre West’s sensational Opening Night performance at the Carpenter Center made abundantly clear.
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THE ROBBER BRIDEGROOM


When was the last time you saw a production of the Tony Award-winning, Drama Desk Award-nominated Broadway musical The Robber Bridegroom?

Ask most any Los Angeles theatergoer for their answer and the one you’ll probably get is “Never.” Despite a hilarious book and oh-so clever lyrics by Alfred (Driving Miss Daisy) Uhry and a showful of catchy bluegrass melodies by Robert Waldman, about the only professional L.A. production in the past decade would appear to have been Musical Theatre Guild’s one-night-only concert staged reading in 2001—all the more reason to celebrate its current revival at International City Theatre in Long Beach, though hardly the only one.
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LOOT


No one wrote darker, more subversive comedies than Joe Orton—or funnier ones for that matter. Those requiring proof of the above need only head on over to San Pedro’s Little Fish Theatre to check out their terrific production of Orton’s darkly subversive farce.
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PRIVATE LIVES


For a comedy that’s now reached the ripe old age of seventy one, Noël Coward’s Private Lives remains as young, fresh, and lively as ever—and those in need of proof need simply check out the terrific Private Lives revival now playing at Long Beach’s International City Theatre.
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THE UNDERPANTS


What a difference two seconds can make. That’s how short a time Louise Maske insists that her undies dropped down to her ankles “in front of the neighbors, in front of strangers, and at the King’s parade” in The Underpants, adapted from German playwright Carl Sternheim’s 1910 original by none other than Steve Martin. Yes, that Steve Martin, whose unique take on love and life makes Long Beach Playhouse’s production of The Underpants a delightful August surprise.
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