NEXT TO NORMAL

California Repertory and director Joanne Gordon bring Tom Kitt and Brian Yorkey’s Next To Normal to the Queen Mary’s Royal Theater in an excitingly imaginative rendition of the 2010 Pulitzer Prize-winner, one featuring a star-turn lead performance by Karole Foreman.
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‘S WONDERFUL

Take forty classic George Gershwin tunes, round up five stellar triple-threats to perform them, tie the three dozen-plus songs together into five mini-musicals with the wispiest of plots, add some snappy choreography from an up-and-coming Broadway whiz kid, back the whole thing up with a terrific seven-piece orchestra, and you’ve got ‘S Wonderful: The New Gershwin Musical, the latest charmer from Music Theatre West.
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FLYIN’ WEST


12 Years A Slave’s recent Oscar wins make Flyin’ West, Pearl Cleage’s post-Civil-War slice-of-African-American-life-on-the-Kansas-plains, a particularly serendipitous choice as International City Theatre’s latest crowd-pleaser. That director Saundra McClain and her cast of six have come up with a particularly fine production of Cleage’s 1992 hit is icing on the cake, or in the case of Flyin’ West, ice cream on the apple pie.
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CARNIVAL


Bob Merrill and Michael Stewart’s 1961 hit Carnival may have run a healthy 719 performances on Broadway, but unlike its fellow early-’60s Tony winners The Sound of Music, Gypsy, Bye Bye Birdie, How to Succeed .., Funny/Forum, and Oliver!, regional revivals of Carnival have been few and far between, hence its inclusion in Musical Theatre West’s Reiner Reading Series as a one-night-only concert staged reading, one that reminded those in attendance on Sunday that even forgotten Broadway gems have much to offer.
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THE MUSIC MAN


Musical Theatre West takes one of the truly great 20th Century musicals and gives it a splendid 21st Century revival, one that would be even more splendid with an age-appropriate leading man.
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CALL ME MADAM


Musical theater lovers can once again thank Ken and Dottie Reiner and Musical Theatre West’s Reiner Reading Series for bringing back to life a musical theater gem grown too obscure to inspire a fully staged production. (After all, given the choice of the two Tony-winning musicals of 1951, Guys And Dolls and Call Me Madam, which one would you choose to program as part of an upcoming season?)
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LET’S MISBEHAVE: THE MUSIC AND LYRICS OF COLE PORTER


Take three of Southern California’s most talented musical theater performers, then add three-dozen or so Cole Porter songs linked together by an ingenious book, and you’ve got Patrick Young and Karin Bowersock’s Let’s Misbehave, a brand spanking new Cole Porter musical now getting a sparkling California Premiere at Long Beach’s International City Theatre.
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LITTLE ME


It takes directorial brilliance (and balls) to take a Broadway show with a cast of thirty-six playing more than three dozen roles and stage it with a mere nine performers and no set design other than one comfy armchair and pull it off, but pull it off director David Lamoureux and his cast of nine did on Sunday as Musical Theatre West opened its Reiner Reading Series’ fourth season with the 1962 Broadway gem Little Me.
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