ANYTHING
Friday, December 21st, 2007
The Elephant Theatre Company’s world premiere production of Anything, written by and starring Timothy McNeill and directed by David Fofi is a perfect example of how rich and rewarding our Los Angeles stage scene is. Exquisitely written and acted, sensitively directed, and gorgeously designed, Anything marks a noteworthy conclusion to 2007 and an auspicious start to ETC’s 12th season of live theater.
(read more)
THE CRUCIBLE
Saturday, December 15th, 2007
When Arthur Miller’s The Crucible was written in 1953, it was considered an allegory
for the McCarthy “witch hunts,” in which Communism took the place of Satan in
the original Salem Witch Trials of 1692. Today, as religious fundamentalists (of
various creeds) use blind belief in dogma as a way to persecute those they
disagree with, The Crucible stands even stronger than before as an indictment of
religious fanaticism gone amok. 2007 seems an particularly fitting time for a revival
of this Miller classic, and the production currently running at the Matrix more than
does justice to Miller’s words.
(read more)
A CHRISTMAS CAROL
Saturday, December 8th, 2007
The universality of A Christmas Carol has never been more evident than in the
Celebration Theatre’s fabulous new GAY adaptation of the Charles Dickens
classic. There have been numerous previous adaptations of ACC for “niche”
audiences. An imdb search turns up The Muppet Christmas Carol, Mickey
(Mouse)’s Christmas Carol, Mister Magoo’s Christmas Carol, An All Dogs Christmas
Carol, a Diva’s Christmas Carol, A Flintstones Christmas Carol, Skinflint: A Country
Christmas Carol, Bugs Bunny’s Christmas Carol, A Carol Christmas (with Tori
Spelling as Carol), The Jetsons Christmas Carol, Brer Rabbit’s Christmas Carol, and
A Sesame Street Christmas Carol. Now, at last, the gay community has a
Christmas Carol it can call its own.
(read more)
CINEPHILIA
Sunday, December 2nd, 2007
New York cinephiles Johnny and Arden are 20something “friends with benefits,” or at least that’s how Johnny would refer to his “recreation” with Arden. She, on the other hand, considers their four-and-a-half years’ worth of occasional sex + conversations about movies a “relationship.” Imagine her dismay upon learning that Johnny plans to move to Los Angeles, that he’s already started packing, and that worst of all, it’s because he met a girl three weeks ago and the move out west is to be with her. Then there’s Johnny’s roommate of five years, Plato, who despite dating girls seems even more in love with Johnny than Arden is…and far more distraught about Johnny’s impending departure. Add to the mix the arrival of Johnny’s new girlfriend Natalie, and you’ve got Cinephilia, 80 absorbing minutes of clever conversation and twisted relationships.
(read more)
ALL THIS AND HEAVEN TOO
Friday, November 23rd, 2007RECOMMENDED
All This, And Heaven Too is an entertaining look at gay life over 40 viewed through a musical comedy lens. As the production’s soft shoe opener “Trolls” (the show’s original off-Broadway title) proclaims, gay men past a certain age are considered “mean and crabby, soft and flabby.” As All This, And Heaven Too reveals, they also have a zest for life, and more of an appreciation for the freedoms and the greater acceptance society has granted them post-Stonewall than “those little twits who don’t even know who Ethel Merman was.”
(read more)
ATTEMPTS ON HER LIFE
Friday, November 16th, 2007NOT RECOMMENDED
Imagine a play without a plot or assigned speaking roles. Imagine a script which
does not specify particular locations, simply lines of spoken dialog which the
director can assign to whichever actor he chooses and scenes which take place
wherever the director’s imagination take him. Imagine this kind of play and
you’ve got British playwright Martin Crimp’s Attempts on her Life, the first joint
undertaking of Chris Covics’ Unknown Theater and Bart DeLorenzo’s Evidence
Room.
(read more)
CITY KID THE MUSICAL
Friday, October 26th, 2007
City Kid The Musical is two hours of virtually non-stop singing and dancing, a music
video come to life, featuring a tunefully accessible score and inventive
choreography, performed by a sensational young cast and backed up by the best
band in town.
(read more)
THE FASTEST CLOCK IN THE UNIVERSE
Thursday, October 18th, 2007NOT RECOMMENDED
The Fastest Clock in the Universe, by Philip Ridley, is the blackest of black
comedies. Captain Tock, a 50ish bespectacled gent in a black vaguely Chinese
smock and dark trousers, shares an East End of London flat with a much younger
and entirely self-centered hunk named Cougar Glass. Their relationship is
perversely symbiotic. Symbiotic= a close association of animals or plants of different
species that is often, but not always, of mutual benefit. (Emphasis in this case on
the “not of mutual benefit.”) Glass gets adoration from (and gray hairs plucked
by) Tock. Just what Tock gets from Cougar, other than constant humiliation, is
open to debate. Today is the 11th time Cougar is celebrating his 30th birthday,
and he has invited a 15 year old schoolboy as his annual present to himself. When
the schoolboy arrives with his pregnant girlfriend in hand, things get ugly.
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2026 STEVEN STANLEY :: DESIGN BY