[title of show]


West Hollywood’s Celebration Theatre celebrates its twenty-eighth year of presenting quality live theater to the LGBTQQIA community—and has its third big musical hit in just the past twelve months—with the Los Angeles Premiere of Hunter Bell and Jeff Bowen’s award-winning off-Broadway hit [title of show]. Directed with consummate panache by Celebration Artistic Director Michael A. Shepperd, [title of show] is the perfect musical for show queens of any gender or sexual orientation.
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BLANK


If it takes guts merely for an actor to stand up in front of an audience and play a role, imagine how much more courage is required when there’s no one else on stage to be his safety net—and the role that he’s playing is himself.
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SORORITY QUEEN IN A MOBILE HOME

RECOMMENDED
Divorced couple Grace and Dennis each tell their own version of what went wrong in their marriage in Sorority Queen In A Mobile Home, a midweek offering at Open Fist Theatre. Though its format (extended monologs interspersed with a handful of multiple character scenes) proves a barrier to audience involvement in Grace and Dennis’s stories, performances go a long way towards making Sorority Queen a rather entertaining two-acter.
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OUR FAVORITE SINGS

What do you call a blend of musical revue and cabaret?

RECOMMENDED
The Tre Stage calls it Our Favorite Sings, an entertaining hour and a quarter of musical theater talents singing their favorite songs live and un-miked in an intimate black box space.
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ELEVATOR


Take a bunch of strangers and trap them in an enclosed space for a significant enough length of time and it’s a sure bet they’ll come out changed by the experience—if plays and movies are to be believed. Take the jurors in Twelve Angry Men, Tom Hanks and assorted others in You’ve Got Mail, or the high school kids in The Breakfast Club. Eleven jurors changed their verdict, Tom decided to leave Parker Posey for Meg Ryan, and the Princess, Jock, Brain, Criminal, and Basket Case all revealed themselves to be night-and-day different from our first impression of them and bonded in the process. Such is the stuff of stage and screen fiction.
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AIN’T WE GOT FUN


Ain’t We Got Fun, Ben Hensley and Michael Montiel’s nostalgic look back at early 20th Century vaudeville, makes for forty-five of the brightest minutes you’re likely to enjoy this year. 
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YELLOW


It’s been four years since Del Shores’ Greatest Hits (Sordid Lives, Southern Baptist Sissies, and Trials And Tribulations Of A Trailer Trash Housewife) packed audiences into the Zephyr Theatre for eight memorable months, and over seven years since Shores’ last new play debuted. Since then, Shores and company have gone on to tour the country with the writer’s particular brand of Southern-fried charm and humor, and to produce Sordid Lives: The Series to considerable acclaim. Still, it’s been far too long since Angelinos have had the chance to experience the Shores magic live on stage.
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ANNE FRASER THOMAS


Tall, dark-haired, and gorgeous, Anne Fraser Thomas is one of our finest, and most unique, musical theater talents—as Monday’s standing room only crowd at Hollywood’s Magic Castle can certainly attest to. Over the course of an eclectic hour of song and magic (of the musical sort), Anne took her devoted family, friends, and fans on a musical journey through her life from her early years as a multi-ethnic wunderkind (there wasn’t a lesson or class young Anne wasn’t taking) up through her present day bicoastal life.
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