GOD’S FAVORITE


A messenger from God arrives at the Long Island mansion of multimillionaire business tycoon Joe Benjamin and informs him, “If you cherish your children and wife, the house that shelters you, the clothes that warm you and the flesh that covers you, if pain, calamity and disaster do not in any manner whatsoever appeal to you, then renounce your God!” Joe refuses, and is soon afflicted by a series of calamities that would test the patience of Job. Does this sound like a Neil Simon comedy to you?
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THE ACCIDENTAL BLONDE


She’s done Lust, Gluttony, Greed, Sloth, and Wrath. Now playwright Leslye Headland turns her deliciously acerbic pen to Envy in The Accidental Blonde, the sixth and latest of her Seven Deadly Plays, a dark comedy that’s one of her best and easily the most unique.
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TERRE HAUTE


Imagine you were allowed to conduct a series of brief interviews with the man responsible for killing 168 Americans and injuring over 500 more in the then deadliest act of terrorism ever perpetrated on U.S. soil. Assuming you even wanted to talk to him, what would you say? What would you want to know?
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THE ELEPHANT MAN


When most people hear the title The Elephant Man, they likely recall David Lynch’s 1980 film, which received 8 Academy Award nominations, including one for John Hurt’s unforgettable leading performance. 
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TAKE ME OUT


Baseball superstar Darren Lemming of the New York Empires would seem to have it made. Blessed with a physical beauty and athletic prowess most can only dream of, the biracial outfielder’s Golden Boy status has kept him above whatever bigotry a lesser man might likely have encountered in major league sports. So certain, in fact, is Darren of being above it all that when he comes out publicly as gay, he expects few if any repercussions from the announcement. Yes, other baseball players might suffer from the homophobia rampant in professional athletics, but not Darren Lemming—that is until pitcher Shane Mungitt arrives to rescue Darren’s loss-plagued team and all hell breaks loose.
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DEAR HARVEY


Before Sean Penn’s Academy Award-winning performance as Harvey Milk, it’s a fair guess that not too many people under the age of forty had ever heard of the first openly gay man elected to a major public office in the U.S. Dustin Lance Black’s movie changed all that, and now, Dear Harvey, a powerful dramatization of Milk’s words and those of the people who knew and worked with him, arrives at West Hollywood’s Lee Strasberg Theatre as a companion piece to the film, and one well worth seeing.
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MERRILY WE ROLL ALONG


For a show that lasted only sixteen performances in its original 1981 Broadway run, Stephen Sondheim and George Furth’s Merrily We Roll Along has had a remarkable “afterlife.” Over the past three decades, there’s probably not an American musical theater company that hasn’t staged it at least once. This reviewer alone has seen five productions of Merrily in the last four and a half years, Actors Co-op’s current revival being the latest and quite possibly the overall best of the bunch—and that’s saying a lot.
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THE WEB


While surfing the Internet, Chris Quiñones makes a shocking discovery—someone with the very same name as his, a Chris Quiñones who graduated with very same high school class, has the same date, place, and even hospital of birth, the same Columbian father and Jewish mother… The very same Chris Quiñones, yet subtly different in small details like the fact that for one Chris a particular time of import is a.m. but for the other p.m. Chris stays online all night searching, until finally the trail left by Chris II ends about a year ago, in Djibouti, after which his doppelganger has seemingly disappeared off the face of the earth.
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