ALL HAIL THE QUEEN


There are divas galore in the biz we call show, but none burn brighter than Olivier Award-winning Lesli Margherita, or so she reminds us (tongue decidedly in cheek) throughout her self-lovingly titled dazzler of a cabaret act, All Hail The Queen.
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COLD LANG SYNE


In college, frat brothers Trevor, Perry, Garth, and Mark were known as the Four Musketeers of Sigma Pi, and since then—once every four years for the past twenty years—they’ve been reuniting to catch up on old times. There’s only one hitch. Trevor, Perry, and Garth can’t stand Mark’s guts, and wouldn’t mind at all if he dropped dead.
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LITTLE FLOWER OF EAST ORANGE


“Dysfunctional” doesn’t begin to describe the O’Connor family in Stephen Adly Guirgis’s The Little Flower Of East Orange, now in its West Coast Premiere engagement by the Elephant Theatre Company. Indeed, elderly matriarch Marie Therese Sullivan O’Connor, and her grown son and daughter Danny and Justina are so totally f*cked up as to make Amanda, Tom, and Laura Wingfield seem positively well-adjusted by comparison.
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MAKING PARADISE: THE WEST HOLLYWOOD MUSICAL


Cornerstone Theatre Company and the city of West Hollywood celebrate their mutual Silver Anniversaries with the World Premiere of Making Paradise: The West Hollywood Musical. Featuring a cast of thirty-one, some of whom have never acted before, let alone sung and danced on a theater stage, Making Paradise tells the story of the founding of WeHo through exactly the kind of people who make up its population—a gay, lesbian, straight, and transgender, rainbow colored, multiracial, multiethnic mix of 20somethings, middle-agers, and octogenarians. Some of the voices are only so-so and some cast members appear to be working hard on remembering which dance step follows which—and it matters not a whit. Making Paradise: The West Hollywood Musical succeeds not just because of its strengths but also because of (what in a more traditional production would be considered) its weaknesses. It’s a thrilling, dramatic, informative, entertaining, suspenseful, and ultimately quite moving piece of theater.
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GOD’S FAVORITE


A messenger from God arrives at the Long Island mansion of multimillionaire business tycoon Joe Benjamin and informs him, “If you cherish your children and wife, the house that shelters you, the clothes that warm you and the flesh that covers you, if pain, calamity and disaster do not in any manner whatsoever appeal to you, then renounce your God!” Joe refuses, and is soon afflicted by a series of calamities that would test the patience of Job. Does this sound like a Neil Simon comedy to you?
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THE ACCIDENTAL BLONDE


She’s done Lust, Gluttony, Greed, Sloth, and Wrath. Now playwright Leslye Headland turns her deliciously acerbic pen to Envy in The Accidental Blonde, the sixth and latest of her Seven Deadly Plays, a dark comedy that’s one of her best and easily the most unique.
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TERRE HAUTE


Imagine you were allowed to conduct a series of brief interviews with the man responsible for killing 168 Americans and injuring over 500 more in the then deadliest act of terrorism ever perpetrated on U.S. soil. Assuming you even wanted to talk to him, what would you say? What would you want to know?
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THE ELEPHANT MAN


When most people hear the title The Elephant Man, they likely recall David Lynch’s 1980 film, which received 8 Academy Award nominations, including one for John Hurt’s unforgettable leading performance. 
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