DAYS OF WINE AND ROSES


Emmy-winning writer JP Miller examines the devastation wrought by alcoholism on a young couple’s marriage in his best-known work, Days Of Wine And Roses, now being revived to powerful effect at Hollywood’s Lounge Theatre.
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THE BEAUTY QUEEN OF LEENANE


Irish playwright Martin McDonagh might well have entitled his first play, The Beauty Queen Of Leenane, No Exit, for that’s how trapped its mother-daughter protagonists find themselves in the 1996 black comedy that put McDonagh on the playwriting map. Nominated for a 1998 Best Play Tony Award and winner of Best Play Drama Desk, Drama League, Lucille Lortel, and Outer Critics Circle Awards, The Beauty Queen Of Leenane now gets an intimate Los Angeles staging that ends up easily The Production Company’s finest effort since moving into its larger Hollywood digs a year ago.
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FRUIT FLY


Leslie Jordan answers the age-old question—“Do gay men really become their mothers?”—in his latest autobiographical one-man show, Fruit Fly, and as anyone who’s ever seen the Chattanooga native in Sordid Lives or on Will And Grace can well imagine, there’s not likely to be a more delightful autobiographical one-man show in any foreseeable future.
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CHRISTMASTIME IS QUEER 4


The talented writers and actors of Playwrights 6 are back onstage at Celebration Theatre for the first time in seven years with the latest installment of their popular anthology of holiday/LGBT-themed one-acts, Christmastime Is Queer 4. Despite not even a dash of the nudity that made 2004’s Christmastime Is Queer 3: Naked Christmas particularly memorable, this all-new collection of playlets may well be the best of the bunch so far.
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CRIMES OF THE HEART


Having earlier this year joined forces to bring Los Angeles their multiple Scenie Award-winning production of David Auburn’s Proof, Open Fist Theatre Company and Aquila Morong Studio For Actors are reunited once again for a terrific intimate theater revival of Beth Henley’s Crimes Of The Heart.
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THE PLAYGROUND

RECOMMENDED
Homeless youth are given a voice—a singing voice—in Michael Leoni’s ambitious, sprawling “street rock musical” The Playground, now playing at Hollywood’s Met Theatre under the playwright’s direction.
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AS IS


The year was 1985 and New York City’s gay male population was gripped by a fear akin to that which the citizens of London must have felt in 1665 at the outbreak of the Great Plague. Only four years had passed since a New York Native news article headlined “Disease Rumors Largely Unfounded” had reassured its readers not to worry about grapevine tales of a so-called “gay cancer.” By 1985, that disease, or more accurately put, that syndrome had its very own acronym, though it was not until that very year that President Ronald Reagan finally said the word AIDS in public. There were 5636 known AIDS-related deaths in the United States in 1985.
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JERKER

NOT RECOMMENDED

Robert Chesley’s 1986 two-character drama Jerker has been called “one of the most important pieces of gay theater ever created,” though you’d be hard-pressed to determine why this is so based only on the 25th Anniversary production now on stage at Space 916 in West Hollywood.
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