STONEFACE


Imagine you’re writer-director Jaime Robledo, and your play Watson won you just about every award in the book, including a pair of Scenies. Then imagine you’re writer-performer Vanessa Claire Stewart, whose Louis And Keely Live At The Sahara and its holiday spin-off won you just about every award in the book, including a grand total of four Scenies. Now try to think of what to do for an encore.
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IT IS DONE


When a playwright plunks down three strangers in a bar ninety miles from nowhere on a dark and stormy night, it’s a sure bet sparks are going to fly, and fly they do (though probably not as you’d ever suspect) in Alex Goldberg’s edge-of-your-seat thriller It Is Done, now getting its West Coast Premiere at Hollywood’s Pig ‘N Whistle.
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THE LEARNED LADIES


Actor’s Co-op stages Moliere’s The Learned Ladies (Les Femmes Savantes) with such panache, you’d think they’d been doing the French master on at least a yearly basis rather than a mere twice in seventeen years.
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MODIGLIANI

RECOMMENDED
A bravura lead performance by Matt Marquez as early 20th Century artist Amedeo Modigiliani and electric support by Nicole Stuart as his partner in art and sex are the two best reasons to catch Open Fist Theatre and Amedeo Production’s revival of Dennis McIntyre’s Modigliani.
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SUKIE AND SUE: THEIR STORY

RECOMMENDED
A demonic Raggedy Ann doll wreaks havoc on a pair of nurses in Sukie And Sue: Their Story, Michael John LaChiusa’s offbeat trifle of a horror movie spoof now playing at The Blank Theatre.
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DEATHTRAP


Ira Levin’s spine-tingling thriller Deathtrap is back, and while it’s not in fact “the first Los Angeles production in 20 years” as proclaimed in press materials (San Pedro’s Little Fish Theatre revived it terrifically in 2009), its arrival at the Davidson/Valentini Theatre is exciting news indeed, particularly since the Ken Sawyer-directed production is a prime example of L.A. theater at its all-around finest.
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LONG DAY’S JOURNEY INTO NIGHT


The word dysfunctional may not have been bandied about in the early 1910s when Eugene O’Neill’s Long Day’s Journey Into Night takes place, nor in the early ‘40s when it was completed, nor even in the middle of the Eisenhower ‘50s when it was published posthumously and made its Broadway debut. Still, if anyone understood dysfunctional families, or at least one dysfunctional family in particular, it was O’Neill, as Actors Co-op’s powerful 21st Century revival makes amply clear.
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SPRING AWAKENING


Spring has sprung in L.A. big time with the sensational Los Angeles intimate theater debut of Spring Awakening, the Steven Sater/Duncan Sheik musical adaptation of Frank Wedenkind’s groundbreaking 1891 drama.
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