110 IN THE SHADE
Sunday, May 11th, 2014
Director extraordinaire Richard Israel and an impressive cast of Los Angeles triple-threats have joined forces at Actors Co-op for an inspired intimate revival of 110 In The Shade, the 1963 Broadway musical adaptation of N. Richard Nash’s perennial favorite The Rainmaker.
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UNORGANIZED CRIME
Friday, May 9th, 2014
Oscar nominee Chazz Palminteri and Tony nominee Elizabeth Rodriguez bring their Hollywood/Broadway talent/star power to Kenny D’Aquila’s savagely funny goodfellas comedy Unorganized Crime, now getting its World Premiere at Hollywood’s Lillian Theatre under David Fofi’s razor-sharp direction.
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LEND ME A TENOR
Saturday, March 22nd, 2014
Ken Ludwig’s Lend Me A Tenor may not be the funniest play ever written, but if it isn’t, it certainly comes darned close, as Actors Co-op’s pitch-perfect revival makes abundantly, hilariously clear.
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CLOSELY RELATED KEYS
Monday, March 3rd, 2014
A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s riveting Closely Related Keys, a World Premiere drama as topical as today’s headlines.
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GOING TO ST. IVES
Saturday, March 1st, 2014
A woman wracked with guilt over the unintentional role she has played in her son’s accidental death. A woman tormented by having given birth to a murderous son. These two mothers meet, with life-changing consequences, in Lee Blessing’s powerful two-hander Going To St. Ives, the latest from Hollywood’s illustrious Actors Co-op.
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THE MYSTERY PLAYS
Monday, December 23rd, 2013
Imaginative direction, terrific performances, and an ingenious production design add up to engrossing theater as The Visceral Company presents the pair of one-acts that playwright Roberto Aguirre-Sacasa has somewhat awkwardly fused together as The Mystery Plays.
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THE INVISIBLE PLAY
Friday, December 13th, 2013
Have you ever felt so unnoticed by those around you that you said to yourself, “I might as well be invisible.” Well, that’s exactly how office worker Colin feels in Alex Dremann’s existential romantic comedy The Invisible Play (aka THE :NV:S:BLE PLAY), and though T:P could have benefited from some tightening and sharpening before making its West Coast Premiere, it proves a terrific acting showcase for Criminal Minds’ Kirsten Vangsness and her fellow company members at Hollywood’s Theatre of NOTE.
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SAVE ME
Sunday, November 10th, 2013
Dynasty’s Alexis Carrington, All About Eve’s Eve Harrington, Mean Girls’ Regina George, Melrose Place’s Amanda Woodward, Days Of Our Lives’ Sami Brady … All these movie and TV bad girls owe a debt of gratitude to the brazen hussy that started it all way back in 1890, the one-and-only Hedda Gabler, brought up to 21st Century life in Save Me, Valerie Rachelle’s modern interpretation of Henrik Ibsen’s late 19th-Century classic, directed with style and flair by Rachelle and featuring a sensational Shannon Nelson as Her Majesty, Queen Bitch Hedda.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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