I WANNA HOLD YOUR HAND

Seven years ago, Erik Patterson’s best friend’s head “exploded,” or at least that’s how the playwright describes the brain aneurysm that sent him rushing to the Manhattan ICU where best friend Uma and her fellow aneurysm victims waged their life-and-death struggle while loved ones watched and waited, hoped and prayed, and bonded with similarly concerned strangers in the hospital waiting room.

Cut to 2014, and the author of the multiple Scenie-winning He Asked For It has taken these real-life events as the point of departure for his latest, I Wanna Hold Your Hand, now getting its World Premiere at Hollywood’s Theatre Of NOTE, and in words I used to describe its predecessor, Patterson’s newest play is “fresh, entertaining, gripping and entirely unpredictable” … and beautifully acted to boot.
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ONE IN THE CHAMBER

Playwright Marja-Lewis Ryan focuses an up-close-and-personal lens on the epidemic of gun violence plaguing our country in her World Premiere drama One In The Chamber, one of the most powerful new plays I’ve seen in a good long while, and as superbly acted a production as any writer/director could possibly wish for.
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HOLLYWOOD FRINGE FESTIVAL 2014 REVIEWS

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DORIAN’S DESCENT

NOT RECOMMENDED

A quartet of stellar performers, a gifted composer/musical director, and L.A.’s costume designer du jour at his most over-the-top fabulous can’t, unfortunately, save the Oscar Wilde-based World Premiere musical Dorian’s Descent from descending into three hours’ worth of clichéd dialog and lyrics, jarring tonal shifts, and good intentions gone disastrously bad.
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110 IN THE SHADE

Director extraordinaire Richard Israel and an impressive cast of Los Angeles triple-threats have joined forces at Actors Co-op for an inspired intimate revival of 110 In The Shade, the 1963 Broadway musical adaptation of N. Richard Nash’s perennial favorite The Rainmaker.
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UNORGANIZED CRIME

Oscar nominee Chazz Palminteri and Tony nominee Elizabeth Rodriguez bring their Hollywood/Broadway talent/star power to Kenny D’Aquila’s savagely funny goodfellas comedy Unorganized Crime, now getting its World Premiere at Hollywood’s Lillian Theatre under David Fofi’s razor-sharp direction.
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LEND ME A TENOR

Ken Ludwig’s Lend Me A Tenor may not be the funniest play ever written, but if it isn’t, it certainly comes darned close, as Actors Co-op’s pitch-perfect revival makes abundantly, hilariously clear.
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CLOSELY RELATED KEYS


A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s riveting Closely Related Keys, a World Premiere drama as topical as today’s headlines.
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