DR. JEKYLL & MR. HYDE


What a difference a director can make, and by director I mean MaryJo DuPrey, whose vision for Dr. Jekyll & Mr. Hyde at Actors Co-op has inspired an outstanding cast and brilliant team of designers to take a play about which I had previously expressed decidedly mixed feelings and turned it into a psychological thriller par excellence.
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SUNNY AFTERNOON


On November 22, 1963, at about half-past-noon Dallas time, President John F. Kennedy was shot as his motorcade passed in front of the Texas School Book Depository … and thirty minutes later was pronounced dead. On November 24, the President’s alleged assassin, Lee Harvey Oswald, was himself fatally shot by local nightclub operator Jack Ruby as a nation sitting glued to their TV screens looked on in horror.

But what about the forty-eight hours separating these two America-shattering events?

Playwright-director Christian Levatino and his gangbusters theatre company* let us be flies on the walls of the Dallas Police Headquarters where Oswald spent his last two days under police interrogation in Levatino’s gripping new play Sunny Afternoon, now getting its official World Premiere following its Best-Of-Fringe-winning workshop at last June’s Hollywood Fringe Festival.
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THE BURNT PART BOYS


An Appalachian teen sets off on a mission that will change his life and the lives of those he loves in Mariana Elder, Chris Miller, and Nathan Tysen’s exquisite new musical, The Burnt-Part Boys, now getting a polished gem of a West Coast Premiere under the inspired direction of Richard Israel.
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AH, WILDERNESS!

A quarter century before Eugene O’Neill’s deep dark look at a fictionalized version of his drug-and-alcohol-addicted family, Long Day’s Journey Into Night, first opened on Broadway, the soon-to-be Nobel laureate treated 1933 New York theatergoers to an idealized vision of that same family in his one-and-only comedy Ah, Wilderness!

Now, a year after its multiple-Scenie-winning revival of Long Day’s Journey, Actors Co-op introduces its audiences to the Millers (a lighter, brighter version of the O’Neills/Jeromes), and what a delightful, beautifully staged and acted production the Co-op has come up with.
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EAT THE RUNT


A dozen actors take turns playing all eight roles in Eat The Run, Avery Crozier’s uniquely addictive black comedy, now back for a return visit to Hollywood’s Theatre Of NOTE, and to paraphrase a classic TV commercial, “Bet you can’t see it just once.”
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PACK UP THE MOON

NOT RECOMMENDED

A gay couple still dealing with the sudden crib death of their adopted child decide a year later to become parents again—this time through surrogacy. Could there be a more current, hot-button topic for a world premiere play?

If only Christina Cigala’s Pack Up The Moon lived up to that promise.
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NINE


DOMA Theatre Company follows its smash 99-seat revival of Dreamgirls with another dreamgirl-packed Tony-winning musical, a mostly quite successful downsizing of the big-stage Broadway hit Nine.
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FATHERS AT A GAME


A pair of night-and-day different dads cheering on their teenage sons at a high school football game would seem more likely to inspire an odd-couple comedy à la Richard Dresser’s hilarious Rounding Third than an electrifyingly edge-of-your-seat thriller, but this is precisely what Trey Nichols has concocted in his one-act Fathers At A Game, now completing a brief Best Of Fringe extension following its original Hollywood Fringe run.
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