UNORGANIZED CRIME

Oscar nominee Chazz Palminteri and Tony nominee Elizabeth Rodriguez bring their Hollywood/Broadway talent/star power to Kenny D’Aquila’s savagely funny goodfellas comedy Unorganized Crime, now getting its World Premiere at Hollywood’s Lillian Theatre under David Fofi’s razor-sharp direction.
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LEND ME A TENOR

Ken Ludwig’s Lend Me A Tenor may not be the funniest play ever written, but if it isn’t, it certainly comes darned close, as Actors Co-op’s pitch-perfect revival makes abundantly, hilariously clear.
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CLOSELY RELATED KEYS


A hotshot young corporate lawyer discovers she has an Iraqi half-sister from her father’s long ago extramarital relationship in Wendy Graf’s riveting Closely Related Keys, a World Premiere drama as topical as today’s headlines.
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GOING TO ST. IVES


A woman wracked with guilt over the unintentional role she has played in her son’s accidental death. A woman tormented by having given birth to a murderous son. These two mothers meet, with life-changing consequences, in Lee Blessing’s powerful two-hander Going To St. Ives, the latest from Hollywood’s illustrious Actors Co-op.
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THE MYSTERY PLAYS


Imaginative direction, terrific performances, and an ingenious production design add up to engrossing theater as The Visceral Company presents the pair of one-acts that playwright Roberto Aguirre-Sacasa has somewhat awkwardly fused together as The Mystery Plays.
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THE INVISIBLE PLAY


Have you ever felt so unnoticed by those around you that you said to yourself, “I might as well be invisible.” Well, that’s exactly how office worker Colin feels in Alex Dremann’s existential romantic comedy The Invisible Play (aka THE :NV:S:BLE PLAY), and though T:P could have benefited from some tightening and sharpening before making its West Coast Premiere, it proves a terrific acting showcase for Criminal Minds’ Kirsten Vangsness and her fellow company members at Hollywood’s Theatre of NOTE.
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SAVE ME


Dynasty’s Alexis Carrington, All About Eve’s Eve Harrington, Mean Girls’ Regina George, Melrose Place’s Amanda Woodward, Days Of Our Lives’ Sami Brady … All these movie and TV bad girls owe a debt of gratitude to the brazen hussy that started it all way back in 1890, the one-and-only Hedda Gabler, brought up to 21st Century life in Save Me, Valerie Rachelle’s modern interpretation of Henrik Ibsen’s late 19th-Century classic, directed with style and flair by Rachelle and featuring a sensational Shannon Nelson as Her Majesty, Queen Bitch Hedda.
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THE POKÉMUSICAL

RECOMMENDED
A second extension of the Hollywood Fringe Festival hit The Pokémusical made it possible for this reviewer to catch the much talked-about musical spoof of the animated Pokénon TV series and films, one which features quite a few laughs and some terrific performances. Despite those pluses, however, I must confess to having ended up a good deal less a fan of The Pokémusical than its rave reviews had led me to expect. (read more)

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