HELLCAB

When Jean-Paul Sartre wrote “L’enfer, c’est les autres,” the “others” he was referring to could easily have been the passengers who make a Chicago cab driver’s life a living enfer in Will Kern’s hilarious (or should that be “hellarious”) Hellcab, back at the Elephant Theatre for the first time since its smash 2005 run with its director and cab-driving star once again along for the ride.
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THE SANTALAND DIARIES

Matt Crabtree returns as David, Crumpet, and a host of other colorful characters in The SantaLand Diaries, neither understudy nor across-the-country Elf this time round but the centerstage star of his very own, all-around splendid production of David Sedaris’s holiday one-man show.
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ALMOST, MAINE

Plays don’t get any more magical, nor any more unabashedly romantic (with just enough salt to keep things from getting sappy) than John Cariani’s Almost, Maine, the record-breaking Most Produced Flop in off-Broadway history, now getting what well may be its first fully-cast professional Los Angeles production since its 2006 New York debut—and an absolutely wonderful one at that.
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TRUE WEST

A quartet of USC grads have joined forces in “Let’s put on a show” tradition (with some 21st-century Kickstarter help) to bring Los Angeles theater lovers an excitingly performed revival of True West, Sam Shepard’s 1980 contemporary-classic tale of brotherly love and hate.
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THE IMPORTANCE OF BEING EARNEST

Queer Classics’ reinvention of Oscar Wilde’s The Importance Of Being Earnest, the Scenie-winning Hollywood Fringe Festival Production Of The Year, is back for a full-length run with almost all of its Comedic Ensemble Performance Of The Year cast intact—and if you’re any kind of Wilde fan (or simply want to enjoy ninety minutes of nonstop laughter), forget how many Earnests you’ve seen before and see this one. I repeat. See this one! (See it if it’s your first time too.)
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THE DIVINERS

It takes guts for a Christian-based theater company to take on a play as dark and as ultimately devastating as Jim Leonard, Jr.’s The Diviners. Then again Actors Co-op isn’t your Garden-Of Eden-Variety Christian-based theater company, and with a mostly God-fearing cast of characters plus a charismatic preacher man in crisis-of-faith mode, The Diviners fits quite neatly into the Co-op’s “The Story Is The Journey” 23rd season.

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RE-ANIMATOR™-THE MUSICAL

Re-Animator™-The Musical has Re-Turned™ for a Re-Peat™ engagement at the Steve Allen Theater, which ought to come as some Re-Ally™ good news for wacky musical theater lovers, lovers of wacky musicals, and a whole bunch of Splatter Flick fans who’d never under any other circumstances find themselves anywhere near a musical theater stage.
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LITTLE MAN

The much-dreaded, much-anticipated gathering we call the High School Reunion would seem such a surefire source of comedy, drama, and audience empathy that it comes as a surprise how few films and plays have centered on this once-in-a-decade event. Playwright Bekah Brunstetter helps fill this gap in her highly enjoyable World Premiere dramedy Little Man, the latest from The Los Angeles New Court Theatre.
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