AMERICAN IDIOT
Saturday, June 6th, 2015
DOMA Theatre Company returns for its second sensational show of the year with a head-bangingly thrilling intimate staging of Green Day’s American Idiot.
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ENTROPY
Monday, May 25th, 2015
It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
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ENRON
Sunday, May 24th, 2015
Enron, once the most audacious of America’s Fortune 500 high-rollers, comes to life (and death) with thrilling theatrical audacity as The Production Company returns to L.A.’s 99-seat theater scene with the Los Angeles Premiere of Lucy Prebble’s 2009 West End smash Enron.
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AROUND THE WORLD IN 80 DAYS
Saturday, May 9th, 2015
It took legendary Hollywood producer Mike Todd around $50,000,000 in today’s currency to bring science fiction writer Jules Verne’s Around The World In Eighty Days to the Todd-AO 70mm big screen back in 1958.
Actors Co-op does the same in 2015 with maybe about one-half-percent the budget, and I defy anyone to find the Co-op’s supremely imaginative, endlessly inventive small-stage revival any less entertaining than its Hollywood blockbuster predecessor.
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THE ANARCHIST
Saturday, April 25th, 2015
Felicity Huffman and Rebecca Pidgeon square off in the cat-and-mouse game that is David Mamet’s provocative yet abstruse The Anarchist, the duo’s superb performances and bona fide star power, the intimacy of Theatre Row’s Theatre Asylum, and ticket prices about a quarter of what they were when Mamet’s latest premiered on Broadway combining to make this 99-seat-plan production a likely candidate for hottest ticket in town.
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RECORDED IN HOLLYWOOD: THE MUSICAL
Monday, April 13th, 2015
When you think about history-making 20th-century African-American music impresarios, Berry Gordy and Quincy Jones and perhaps two or three other names probably top the list. A less likely name to spring to mind is that of John Grayton Dolphin, an omission that Recorded In Hollywood: The (World Premiere) Musical sets out to rectify … and does so so crowd-pleasingly under Denise Dowse’s pizzazzy direction that it could easily end up giving the Broadway smash Memphis a run for its money.
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A DOG’S HOUSE
Monday, March 30th, 2015
The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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BACHELORETTE
Sunday, March 22nd, 2015
Mean girls reign supreme in Bachelorette, Leslye Headland’s acidly funny glimpse into the ugliness that can hide behind pretty faces, back for a return L.A. engagement just a mile from where its 2008 World Premiere put playwright Headland and IAMA Theatre Company on the map.
This time round it’s the year-old Mine Is Yours Theatre Company who bring Becky, Gena, Katie, and Regan (and a couple of not-so-nice young men) to hilariously vicious life, and though these are not folks you’d normally want to spend even an hour with, Bachelorette’s ninety minutes add up to outrageously biting entertainment, albeit quite the opposite of “sugar and spice and everything nice.”
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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