D DEB DEBBIE DEBORAH
Friday, August 12th, 2016RECOMMENDED
Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
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SPACE
Saturday, July 30th, 2016
Disproving the oft-suggested notion that a playwright should never direct his own work, Stefan Marks not only scores a double bulls-eye at the Stella Adler; in never leaving the stage as Space’s riveting protagonist, the Ovation Award-winning director-writer-actor proves himself a bona fide triple-threat in this brain-teasing dazzler of a play.
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I LOVE YOU BECAUSE
Saturday, July 23rd, 2016
A sparkling book, a dozen or so delightfully quirky characters, and above all one of the catchiest (and often most gorgeous) scores in recent years add up to Joshua Salzman and Ryan Cunningham’s unabashedly romantic I Love You Because, at long last getting the Los Angeles staging I’ve been wishing and hoping for since first falling in love with the musical’s original cast recording nearly ten years ago—and what a terrific production ILYB has been given at Hollywood’s Hudson Theatre.
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FOOL FOR LOVE
Friday, July 8th, 2016
I may never go gaga for Fool For Love, but if ever a production could make me a believer in Sam Shepard’s overheated take on Greek tragedy in today’s Wild Wild West, it’s the one now playing at the Davidson/Valentini Theatre thanks to some refreshingly subtle directorial touches and a quartet of superb performances, chief among them star turns by Burt Grinstead and Charlotte Gulezian.
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SMOKE
Monday, July 4th, 2016
Fearless only begins to describe Patrick Stafford and Emily James’ stunning performances in Kim Davies’ walk-on-the-wild-side two-hander Smoke, now running in raw, risk-taking Rogue Machine rep with the similarly single-word-titled Honky and Bull.
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BULL
Monday, July 4th, 2016
Youtube videos would like bullied teens to believe “It Gets Better” once high school days are over and done. Not so in the dog-devour-dog business world of Mike Bartlett’s Bull, where it’s one pitiful runt going head to head against a pair of vicious pit bulls. Sorry, make that one pit bull and one pit bitch. Now running in rep with Rogue Machine’s Honky and Smoke, Bull makes for one devastatingly funny, mercilessly soul-shattering fifty-five minute ride.
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BAD JEWS
Friday, July 1st, 2016
Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
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GOLDEN BOY
Monday, June 20th, 2016
They don’t write plays like Golden Boy anymore, which is just one reason to check out the Stella Adler Lab Theatre Company’s revival of the 1937 Clifford Odets classic. Another is Mattia Bartoli’s electric star turn as violinist turned pugilist Joe Bonaparte.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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