GOLDEN BOY

They don’t write plays like Golden Boy anymore, which is just one reason to check out the Stella Adler Lab Theatre Company’s revival of the 1937 Clifford Odets classic. Another is Mattia Bartoli’s electric star turn as violinist turned pugilist Joe Bonaparte.
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I ONLY HAVE EYES FOR YOU – The Life And Lyrics Of Al Dubin

An Oscar-winning lyricist finally gets the star treatment he’s been heretofore denied in the thoroughly entertaining I Only Have Eyes For You – The Life And Lyrics Of Al Dubin, a big-stage/big-budget musical treat whose big challenge will be to convince anyone too young to know the difference between Carmen and Lin-Manuel Miranda to take a chance on a musical that may be arriving about fifty years too late to be a Broadway smash.
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HONKY

If laughter is indeed the best medicine for what ails us, then anyone afflicted with racism would do well to check out the latest from Rogue Machine, Greg Kalleres’s foul-mouthed and fabulous satirical comedy Honky. (And if you think the R-word doesn’t apply to you, then you clearly haven’t heard Avenue Q’s “Everyone’s A Little Bit Racist.”)
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DANCING AT LUGHNASA

Brian Friel’s Tony-winning memory play about the household of unmarried sisters who raised him in a small town in County Donegal, Ireland in the Depression-era 1930s, proves a perfect fit for five of of Actors Co-op’s finest leading ladies in roles that could have been written with each of them in mind. Need I say more?
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NEXT FALL

RECOMMENDED

The conflicts between fundamentalist Christianity and homosexuality have rarely if ever been as powerfully, personally, or fair-mindedly explored as they are in Next Fall, now getting a West Hollywood revival which, while not reaching the level of excellence a more established 99-seat company might have given it, is worth checking out if only to experience Geoffrey Nauffts’ deeply moving play for the first time since it played the Geffen back in 2011.
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THE BOY FROM OZ

Australian entertainment legend Peter Allen lives again as Celebration Theatre treats SoCal audiences to the long-awaited West Coast Premiere of the 2003 Broadway smash The Boy From Oz, the most all-around sensational L.A. intimate-theater musical I’ve seen since the Celebration’s award-sweeping The Color Purple four years back.
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A SINGULAR THEY

Lily Nicksay gives one of this year’s most unforgettable performances as intersex teen Burbank, né Christine, in Aliza Goldstein’s engaging, conversation-starting A Singular They, now World Premiering at The Blank on Hollywood’s Theatre Row.
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tick, tick… BOOM!

Jonathan Larson’s years as a starving artist (before Rent went on to become a 5,124-performance Broadway megasmash) get brought to tuneful, emotionally potent life in After Hours Theatre’s electrifying revival of Larson’s tick, tick … BOOM!
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