FOOL FOR LOVE
Friday, July 8th, 2016I may never go gaga for Fool For Love, but if ever a production could make me a believer in Sam Shepard’s overheated take on Greek tragedy in today’s Wild Wild West, it’s the one now playing at the Davidson/Valentini Theatre thanks to some refreshingly subtle directorial touches and a quartet of superb performances, chief among them star turns by Burt Grinstead and Charlotte Gulezian.
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SMOKE
Monday, July 4th, 2016Fearless only begins to describe Patrick Stafford and Emily James’ stunning performances in Kim Davies’ walk-on-the-wild-side two-hander Smoke, now running in raw, risk-taking Rogue Machine rep with the similarly single-word-titled Honky and Bull.
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BAD JEWS
Friday, July 1st, 2016Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
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GOLDEN BOY
Monday, June 20th, 2016They don’t write plays like Golden Boy anymore, which is just one reason to check out the Stella Adler Lab Theatre Company’s revival of the 1937 Clifford Odets classic. Another is Mattia Bartoli’s electric star turn as violinist turned pugilist Joe Bonaparte.
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I ONLY HAVE EYES FOR YOU – The Life And Lyrics Of Al Dubin
Thursday, May 26th, 2016An Oscar-winning lyricist finally gets the star treatment he’s been heretofore denied in the thoroughly entertaining I Only Have Eyes For You – The Life And Lyrics Of Al Dubin, a big-stage/big-budget musical treat whose big challenge will be to convince anyone too young to know the difference between Carmen and Lin-Manuel Miranda to take a chance on a musical that may be arriving about fifty years too late to be a Broadway smash.
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HONKY
Tuesday, May 24th, 2016If laughter is indeed the best medicine for what ails us, then anyone afflicted with racism would do well to check out the latest from Rogue Machine, Greg Kalleres’s foul-mouthed and fabulous satirical comedy Honky. (And if you think the R-word doesn’t apply to you, then you clearly haven’t heard Avenue Q’s “Everyone’s A Little Bit Racist.”)
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DANCING AT LUGHNASA
Sunday, May 22nd, 2016Brian Friel’s Tony-winning memory play about the household of unmarried sisters who raised him in a small town in County Donegal, Ireland in the Depression-era 1930s, proves a perfect fit for five of of Actors Co-op’s finest leading ladies in roles that could have been written with each of them in mind. Need I say more?
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