BLUEPRINT FOR PARADISE

The weeks leading up to Japan’s attack on Pearl Harbor provide the historical backdrop for Blueprint For Paradise, Laurel M. Wetzork’s fascinating, fact-inspired look at the unlikely friendship between the heiress wife of an American Nazi sympathizer and the African-American architect hired to design a “refugee compound” on fifty-acres of the couple’s Pacific Palisades estate.
(read more)

D DEB DEBBIE DEBORAH

RECOMMENDED

Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
(read more)

SPACE

Disproving the oft-suggested notion that a playwright should never direct his own work, Stefan Marks not only scores a double bulls-eye at the Stella Adler; in never leaving the stage as Space’s riveting protagonist, the Ovation Award-winning director-writer-actor proves himself a bona fide triple-threat in this brain-teasing dazzler of a play.
(read more)

I LOVE YOU BECAUSE

A sparkling book, a dozen or so delightfully quirky characters, and above all one of the catchiest (and often most gorgeous) scores in recent years add up to Joshua Salzman and Ryan Cunningham’s unabashedly romantic I Love You Because, at long last getting the Los Angeles staging I’ve been wishing and hoping for since first falling in love with the musical’s original cast recording nearly ten years ago—and what a terrific production ILYB has been given at Hollywood’s Hudson Theatre.
(read more)

FOOL FOR LOVE

I may never go gaga for Fool For Love, but if ever a production could make me a believer in Sam Shepard’s overheated take on Greek tragedy in today’s Wild Wild West, it’s the one now playing at the Davidson/Valentini Theatre thanks to some refreshingly subtle directorial touches and a quartet of superb performances, chief among them star turns by Burt Grinstead and Charlotte Gulezian.
(read more)

SMOKE

Fearless only begins to describe Patrick Stafford and Emily James’ stunning performances in Kim Davies’ walk-on-the-wild-side two-hander Smoke, now running in raw, risk-taking Rogue Machine rep with the similarly single-word-titled Honky and Bull.
(read more)

BULL


Youtube videos would like bullied teens to believe “It Gets Better” once high school days are over and done. Not so in the dog-devour-dog business world of Mike Bartlett’s Bull, where it’s one pitiful runt going head to head against a pair of vicious pit bulls. Sorry, make that one pit bull and one pit bitch. Now running in rep with Rogue Machine’s Honky and Smoke, Bull makes for one devastatingly funny, mercilessly soul-shattering fifty-five minute ride.
(read more)

BAD JEWS

Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »