SALVAGE
Sunday, November 17th, 2019
A chance visit to a run-down, out-of-the-way bar stirs up memories long-ago friendships, unfulfilled dreams, unforgotten grudges, and a woman named Jennifer in Tim Alderson’s Salvage, a World Premiere “play with music” which requires buying into more than one coincidence but offers multiple rewards, not the least of which is getting to hear some of the most haunting, gorgeously sung country music in town.
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DEFENDERS
Tuesday, November 12th, 2019
A trio of WWII GIs stranded on a storm-tossed island off the north Icelandic coast learn the hard way that it’s not just the Nazis who are out to get them in Cailin Maureen Harrison’s supernatural-tinged action-adventure thriller Defenders, a World Premiere guest production at Hollywood’s Broadwater Blackbox.
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FRUITION
Friday, November 8th, 2019If dystopian thrillers are your thing, you may buy into the post-apocalyptic world imagined by Alexis DeLaRosa in Fruition, a Theatre Of NOTE World Premiere. If not, you’ll likely find yourself less enthralled by what DeLaRosa imagines in store for the USA as we know it.
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ORRY
Sunday, November 3rd, 2019
Legendary Hollywood costume designer Orry-Kelly lives again (at his own funeral, no less) in Nick Hardcastle’s entertaining, informative Orry, now playing a limited engagement at West Hollywood’s Lee Strasberg Theatre.
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DEADLY
Sunday, September 15th, 2019
The Demon Doctor of West 63rd Street is bumping off victim after victim at the Broadwater Theatre in Vanessa Claire Stewart and Ryan Thomas Johnson’s deliciously horrorific Deadly, or as I like to call it, Murder Castle, the H.H. Holmes Musical.
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DRIVING WILDE
Friday, August 23rd, 2019Though it goes haywire about halfway through, Driving Wilde, Jacqueline Wright’s trippy contemporary Americanized take on The Portrait Of Dorian Gray, is far from dull.
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DOPE QUEENS
Saturday, August 17th, 2019Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
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THE DIRECTION HOME
Monday, July 22nd, 2019Tonally it’s all over the place and its lackluster title is unlikely to prove a box-office draw, but Greg Vie’s autobiographical The Direction Home works for the most part as a nostalgic, touching coming-of-age comedy set in WeHo only a few years before the music died.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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