A HARMONY BOYS CHRISTMAS: LIVE FROM WAIKIKI BEACH!

The Harmony Boys throw good taste out the window, and thank Santa for that, as Bobby, Barry, Billy, and Xian Ling Moon Harmony reunite at the Grand Kahulahani Resort And Sacred Indigenous Burial Grounds for “some Christmas cheer, some song and dance, and some very poorly researched appropriation of Pacific Island culture” in A Harmony Boys Christmas: Live From Waikiki Beach, Aaron Matijasic’s gift to L.A. theatergoers in search of politically incorrect, R-rated fun for the holidays.
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MORE GUNS!

Would the United States actually be safer if every single one of us owned a gun? Philip Labes and Michael O’Konis take that notion and run with it in their clever, tuneful, unexpectedly heart-filled More Guns! A Musical Comedy About The NRA, a Saturday night smash for Hollywood’s The Second City.
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SHE LOVES ME

Director-choreographer Cate Caplin and a pitch-perfect cast do everything right in Actors Co-op’s intimate revival of the 1963 Broadway charmer She Loves Me, perhaps better known today as the pre-Internet You’ve Got Mail.
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MIDDLE8

If Thornton Wilder were still alive to write a rock opera about five musicians dealing with issues of love, life, death, and what comes after, he might choose to title it Our Band. Stefan Marks calls his play-with-songs Middle8, and for anyone who’s seen the playwright-actor-director-musician-designer’s past work, it should come as no surprise that Middle8 is label-defyingly special.
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TWO MILE HOLLOW

Anton Chekhov meets Aaron Spelling in Leah Nanako Winkler’s Two Mile Hollow, an Artists At Play World Premiere whose first act is so deliciously, risk-takingly hilarious, one can’t help wishing there were about a quarter-hour less of Act Two.
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ROPE

Cohabitating young Londoners strangle a university classmate to death, hide the body in a living room trunk, then welcome the victim’s father, his aunt, a pair of fellow students, and the teacher whose beliefs inspired their cold-blooded act for a dinner soiree in Patrick Hamilton’s Rope, easily the darkest. deadliest, and most daring offering in Actors Co-op’s 27-year history.
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THE DIARY OF ANNE FRANK

Director Stan Zimmerman’s high-concept, Latino-cast The Diary Of Anne Frank scores points for its thought-provoking premise. In execution, however, it proves a mixed bag at best.
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SPRING AWAKENING

Spring Awakening has arrived at Hollywood’s Lounge Theatre in what is easily the most “high-concept” of the fourteen productions I’ve seen. Promoted as “Spring Awakening For Gun Safety” and drawing overt connections between its 1891 teen protagonists and the 2018 world we live in, this thoroughly original vision is as stunningly directed and choreographed as it is strikingly designed and powerfully performed.
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