REAL WOMEN HAVE CURVES
Saturday, October 13th, 2018Real women not only have curves, they join forces to bring audiences a female-fueled revival of Josefina López’s Real Women Have Curves, a Garry Marshall Theatre crowd-pleaser if there ever was one.
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SHOWPONY
Saturday, September 29th, 2018Workplace tensions explode when the acquisition of an African-American-owned company by a major New York advertising agency adds racial sparks to already rampant sexism in Judith Leora’s scathingly funny World Premiere comedy Showpony, the latest from Burbank’s Victory Theatre Center.
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MAME
Monday, September 24th, 2018Musical Theatre Guild treated lucky L.A. audiences to a one-night-only concert staged reading of Jerry Hermans’s Mame that proved not only a terrifically directed-and-performed look back at the 1500-performance 1966 Broadway smash but illustrates to perfection precisely why MTG is a SoCal treasure.
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ALWAYS … PATSY CLINE
Saturday, September 1st, 2018Cori Cable Kidder reprises her Ovation Award-nominated, Scenie-winning star turn as Patsy Cline opposite SoCal musical theater treasure Ann Myers in Glendale Centre Theatre’s Always … Patsy Cline for two hours of country music memories backed by a live band. Need I say more?
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MERRILY WE ROLL ALONG
Friday, August 17th, 2018Ingenious staging and a talented young cast make Stephen Sondheim and George Furth’s Merrily We Roll Along, a guest production at the Colony Theater, the summer’s brightest musical comedy surprise.
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MARY POPPINS
Friday, July 20th, 2018In-the-round staging proves a perfect fit for Mary Poppins at Glendale Centre Theater, placing the emphasis firmly on P.L. Travers’ storytelling, the Sherman Brothers’ hum-along songs, a bunch of infectious dance numbers, and leading lady Deborah Robin, quite possibly the best of the seven Marys I’ve seen on stage.
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THREE DAYS IN THE COUNTRY
Sunday, July 15th, 2018Unrequited love has rarely been as delightful to witness as it is in Three Days In The Country, playwright Patrick Marber’s tasty new “version of” Ivan Turgenev’s considerably older (by about a hundred seventy years), longer (by an hour and a half), and stodgier (or so I’m told) A Month In The Country, and a glorious return to partner-cast form for L.A.’s crème-de-la-crème Antaeus Theatre Company.
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