PIRATES OF PENZANCE

Gilbert & Sullivan’s Pirates Of Penzance has been delighting the world for a whopping 140 years, though you’d hardly guess its age, not with a libretto as fresh and funny as the latest live-audience sitcom, and certainly not as directed, choreographed, and performed with effervescence and charm at Glendale Centre Theatre.
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THE MOUNTAINTOP

America’s greatest civil rights leader spends the last night of his life with a sultry, saucy motel maid in Katori Hall’s The Mountaintop, a concept likely to rile those who prefer to remember Dr. Martin Luther King as a sin-and-vice-free saint, but one that makes for gripping, thought-provoking dramatic sparks at the Garry Marshall Theatre just in time for Black History Month 2019.
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THE CRIPPLE OF INISHMAAN

A stageful of stereotype-defying Irish islanders, an abundance of well-earned laughs and maybe even a tear or two thrown in for good measure are just a few of the reasons Martin McDonagh’s The Cripple Of Inishmaan at Antaeus Theatre Company adds up to one supremely satisfying (and pardon my Irish) fecking entertaining evening of L.A. theater.
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ZORBA

Musical Theatre Guild’s one-night-only Zorba proved a perfect example of everything a concert staged reading should be, i.e., a superbly performed, imaginatively staged revival of a rarely produced Broadway gem well worth a second look.
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SIGNING THE SONG

Musical theater performer William Martinez escorts audiences on a journey so uniquely entertaining and inspiring, it’s no wonder SIGNing The Song has become a coast-to-coast phenomenon.
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THE LITTLE FOXES

Lillian Hellman might have written The Little Foxes in post-Depression 1939, but her tale of the Alabama Hubbard clan’s quest for even more filthy lucre hasn’t aged a day, just one reason her three-act Southern-fried melodrama makes for an especially scrumptious Antaeus Theatre Company three-course meal.
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REAL WOMEN HAVE CURVES

Real women not only have curves, they join forces to bring audiences a female-fueled revival of Josefina López’s Real Women Have Curves, a Garry Marshall Theatre crowd-pleaser if there ever was one.
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SHOWPONY

Workplace tensions explode when the acquisition of an African-American-owned company by a major New York advertising agency adds racial sparks to already rampant sexism in Judith Leora’s scathingly funny World Premiere comedy Showpony, the latest from Burbank’s Victory Theatre Center.
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