70, GIRLS, 70

NOT RECOMMENDED

John Kander and Fred Ebb had already had considerable success with Flora The Red Menace, Cabaret, The Happy Time, and Zorba when 70, Girls, 70 made its Broadway debut in 1971. Still, not even the renown of their four previous musicals could save their latest show from a quick 35 performance demise. In fact, 70, Girls, 70 vanished so quickly into obscurity that probably only the most avid Broadway buffs are even aware of its existence—Broadway buffs and the Musical Theatre Guild, which has as one of its missions to rescue flops like 70, Girls, 70 from obscurity.

(read more)

A WITHER’S TALE


William Shakespeare’s darkest comedy A Winter’s Tale and the soulful Seventies sound of Bill “Ain’t No Sunshine” Withers make for a perfect match in A Wither’s Tale, the latest offering by the multi-award-winning Troubadour Theater Company and one of the Troubies’ richest and best productions yet.
(read more)

FREE MAN OF COLOR


“Thirty-four years before the end of slavery, I stood before my graduating class and wondered about my soul.”

The speaker is John Newton Templeton, a young ex-slave and the first man of color to attend Ohio University—over three decades before the Emancipation Proclamation.
(read more)

THE HASTY HEART


John Patrick’s The Hasty Heart is that theatrical rarity—a comedy-drama that is as heartwarming as it is heartbreaking, a life-affirming story about impending death that is, amazingly, oximoronically, a feel-good tearjerker.
(read more)

CHiPs THE MUSICAL


The zanies who call themselves the Troubadour Theater Company are back with CHiPs The Musical, the award-winning ensemble’s first show not based on the hits of a major recording artist or group. Instead, the Troubies’ takeoff on the late-‘70s/early-‘80s action TV series has catchy original music composed by Henry Phillips, with Rick Batalla taking care of book and lyrics.  In all other respects however, CHiPs The Musical is exactly the madness and merriment we’ve come to expect from Troubies’ Artistic Director Matt Walker and company.
(read more)

THE WILL ROGERS FOLLIES


Cowboy, comedian, humorist, social commentator, vaudeville performer and actor, Will Rogers packed a whole lot of living into his fifty-five years. He circled the world three times, made over seventy movies, wrote thousands upon thousands of nationally-syndicated newspaper columns, became internationally famous, and even ran once for President of the United States, if only in jest.
(read more)

DAS BARBECÜ


Musical Theatre Guild concluded its 2009-10 season with a one-night-only concert staged reading of Das Barbecü, a show you’ve probably never heard of before, but one that proved a delightful discovery.
(read more)

GRACE AND GLORIE


Take two very different individuals, put them in the same space over a period of days, weeks, or years, and watch how they change each other’s lives. This is a formula that has worked to perfection in the Colony Theatre’s critically acclaimed productions of Trying and Educating Rita. The same formula works its magic once again in Tom Ziegler’s Grace And Glorie, a gem of a “two hander” sure to be as much a critical and audience favorite as its predecessors, all three superbly helmed by director Cameron Watson.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »